Cultural and Media Studies.
Overview
| Works: | 211 works in 210 publications in 210 languages | |
|---|---|---|
Titles
iPhoneography[electronic resource] :how to create inspiring photos with your smartphone /
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Christians in Egypt[electronic resource] :strategies and survival /
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Applied cyberpsychology[electronic resource] :practical applications of cyberpsychological theory and research /
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Global university rankings and the mediatization of higher education[electronic resource] /
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FUN![electronic resource] :what entertainment tells us about living a good life /
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Discursive processes of intergenerational transmission of recent history[electronic resource] :(re)making our past /
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The greatest comic book of all time[electronic resource] :symbolic capital and the field of American comic books /
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Queer girls, temporality and screen media[electronic resource] :not 'Just a Phase' /
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Revisiting the Mexican student movement of 1968[electronic resource] :shifting perspectives in literature and culture since Tlatelolco /
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Post, mine, repeat[electronic resource] :social media data mining becomes ordinary /
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Science, entertainment and television documentary[electronic resource] /
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Reporting dangerously[electronic resource] :journalist killings, intimidation and security /
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Lasting screen stars[electronic resource] :images that fade and personas that endure /
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Public spheres and mediated social networks in the Western context and beyond[electronic resource] /
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Beyond immersive theatre[electronic resource] :aesthetics, politics and productive participation /
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The creative system in action[electronic resource] :understanding cultural production and practice /
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Under pressure[electronic resource] :coal industry rhetoric and neoliberalism /
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Urban film and everyday practice[electronic resource] :bridging divisions in Johannesburg /
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Gender and sexuality in Latin American horror cinema[electronic resource] :embodiments of evil /
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Adapting War horse[electronic resource] :cognition, the spectator, and a sense of play /
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New queer Sinophone cinema[electronic resource] :local histories, transnational connections /
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Against plagiarism[electronic resource] :a guide for editors and authors /
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Contemporary Japanese women's theatre and visual arts[electronic resource] :performing girls' aesthetics /
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Queer dramaturgies[electronic resource] :international perspectives on where performance leads queer /
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Investigative journalism in the Arab world[electronic resource] :issues and challenges /
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Food, media and contemporary culture[electronic resource] :the edible image /
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Digital identity and everyday activism[electronic resource] :sharing private stories with networked publics /
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Staging China[electronic resource] :new theatres in the twenty-first century /
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Media and political contestation in the contemporary Arab world[electronic resource] :a decade of change /
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Palestinian youth media and the pedagogies of estrangement[electronic resource] /
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The education of a circus clown[electronic resource] :mentors, audiences, mistakes /
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Participatory politics and citizen journalism in a networked Africa[electronic resource] :a connected continent /
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Performing (for) survival[electronic resource] :theatre, crisis, extremity /
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Memory in a mediated world[electronic resource] :remembrance and reconstruction /
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Indigenous language media, language politics and democracy in Africa[electronic resource] /
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Cultures of transition and sustainability[electronic resource] :culture after capitalism /
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Magical thinking, fantastic film, and the illusions of neoliberalism[electronic resource] /
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Anti-war theatre after Brecht[electronic resource] :dialectical aesthetics in the twenty-first century /
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Lindsay Anderson revisited[electronic resource] :unknown aspects of a film director /
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Buddhism and cultural studies[electronic resource] :a profession of faith /
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Rewriting history in manga[electronic resource] :stories for the nation /
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Gothic forensics[electronic resource] :criminal investigative procedure in Victorian horror & mystery /
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New critical perspectives on the Beatles[electronic resource] :things we said today /
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Does playing video games make players more violent?[electronic resource] /
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The cyborg subject[electronic resource] :reality, consciousness, parallax /
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Afro-Latin@s in movement[electronic resource] :critical approaches to blackness and transnationalism in the Americas /
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Theatre and residual culture[electronic resource] :J.M. Synge and pre-Christian Ireland /
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Beg to differ[electronic resource] :thelogic of disputes and argumentation /
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Post-conflict performance, film and visual arts[electronic resource] :cities of memory /
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Docudrama on European television[electronic resource] :a selective survey /
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Performing neurology[electronic resource] :the dramaturgy of Dr Jean-Martin Charcot /
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Discourse and disjuncture between the arts and higher education[electronic resource] /
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Crossing fandoms[electronic resource] :SuperWhoLock and the contemporary fan audience /
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Postcolonial perspectives on the European high north[electronic resource] :unscrambling the Arctic /
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Gender violence in failed and democratic states[electronic resource] :besieging perverse masculinities /
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African cultural heritage conservation and management[electronic resource] :theory and practice from Southern Africa /
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Children and the politics of sexuality[electronic resource] :the sexualization of children debate revisited /
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Modern acting[electronic resource] :the lost chapter of American film and theatre /
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Sound, symbol, sociality[electronic resource] :the aesthetic experience of extreme metal music /
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Media archaeologies, micro-archives and storytelling[electronic resource] :re-presencing the past /
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Miami's forgotten Cubans[electronic resource] :race, racialization, and the Miami Afro-Cuban experience /
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Ethno identity dance for sex, fun and profit[electronic resource] :staging popular dances around the world /
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Urban social listening[electronic resource] :potential and pitfalls for using microblogging data in studying cities /
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Objects in Italian life and culture[electronic resource] :fiction, migration, and artificiality /
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Pixar's America[electronic resource] :the re-animation of American myths and symbols /
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Tennessee Williams and Italy[electronic resource] :a transcultural perspective /
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British youth television[electronic resource] :transnational teens, industry, genre /
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History as theatrical metaphor[electronic resource] :history, myth and national identities in modern Scottish drama /
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Screening the sixties[electronic resource] :Hollywood cinema and the politics of memory /
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Screening European heritage[electronic resource] :creating and consuming history on film /
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Contemporary publics[electronic resource] :shifting boundaries in new media, technology and culture /
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The British school film[electronic resource] :from Tom Brown to Harry Potter : representations of secondary education in British cinema /
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New York City and the Hollywood musical[electronic resource] :dancing in the streets /
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Ubuntu strategies[electronic resource] :constructing spaces of belonging in contemporary South African culture /
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Networked music cultures[electronic resource] :contemporary approaches,emerging issues /
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Gilbert and Sullivan's 'respectable capers'[electronic resource] :class, respectability and the Savoy Operas 1877-1909 /
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Performing China on the London stage[electronic resource] :Chinese opera and global power, 1759--2008 /
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Micro-blogging memories[electronic resource] :Weibo and collective remembering in contemporary China /
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Embodied philosophy in dance[electronic resource] :Gaga and Ohad Naharin's movement research /
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Hong Kong and Bollywood[electronic resource] :globalization of Asian cinemas /
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The Afro-Latin@ experience in contemporary American literature and culture[electronic resource] :engaging blackness /
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The new music industries[electronic resource] :disruption and discovery /
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Migrating modernist performance[electronic resource] :British theatrical travels through Russia /
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Migration and performance in contemporary Ireland[electronic resource] :towards a new interculturalism /
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The Britannia Panopticon Music Hall and cosmopolitan entertainment culture[electronic resource] /
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The theatre of death - the uncanny in mimesis[electronic resource] :Tadeusz Kantor, Aby Warburg, and an iconology of the actor /
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Brand machines, sensory media and calculative culture[electronic resource] /
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Children's healthcare and parental media engagement in urban China[electronic resource] :a culture of anxiety? /
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The posthuman body in superhero comics[electronic resource] :human, superhuman, transhuman, post/human /
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Industrial approaches to media[electronic resource] :a methodological gateway to industry studies /
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The Ministry of Education film experiment[electronic resource] :from post-war visual education to 21st century literacy /
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The communication crisis in America, and how to fix it[electronic resource] /
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Complicite, theatre and aesthetics[electronic resource] :from scraps of leather /
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Visualizing the Palestinian struggle[electronic resource] :towards a critical analytic of Palestine solidarity film /
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Hybrid practices in moving image design[electronic resource] :methods of heritage and digital production in motion graphics /
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Contemporary women's gothic fiction[electronic resource] :carnival, hauntings and vampire kisses /
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Queering contemporary gothic narrative, 1970-2012[electronic resource] /
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Screening the tortured body[electronic resource] :the cinema as scaffold /
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The origins of the arts council movement[electronic resource] :philanthropy and policy /
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Lessons from the past?[electronic resource] :memory, narrativity and subjectivity /
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The British official film in South-East Asia[electronic resource] :Malaya/Malaysia, Singapore and Hong Kong /
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The state of post-cinema[electronic resource] :tracing the moving image in the age of digital dissemination /
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The Shawshank experience[electronic resource] :tracking the history of the world's favorite movie /
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Paradoxical japaneseness[electronic resource] :cultural representation in twenty-first century japanese cinema /
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Gender, metal and the media[electronic resource] :women fans and the gendered experience of music /
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Kid comic strips[electronic resource] :a genre across four countries /
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Queering the Chilean way[electronic resource] :cultures of exceptionalism and sexual dissidence, 1965-2015 /
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Teaching and learning on screen[electronic resource] :mediated pedagogies /
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Australian film festivals[electronic resource] :audience, place, and exhibition culture /
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Taboo comedy[electronic resource] :television and controversial humour /
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Intermedial praxis and practice as research[electronic resource] :'doing-thinking' in practice /
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Transgender and intersex[electronic resource] :theoretical, practical, and artistic perspectives /
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Fiber, medicine, and culture in the British Enlightenment[electronic resource] /
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Abel Gance and the end of silent cinema[electronic resource] :sounding out Utopia /
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The queer Greek weird wave[electronic resource] :ethics, politics and the crisis of meaning /
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Methodological reflections on researching communication and social change[electronic resource] /
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Charlie Chaplin's Little Tramp in America, 1947-77[electronic resource] /
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Food advertising[electronic resource] :nature, impact and regulation /
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Zainichi cinema[electronic resource] :Koreans-in-Japan film culture /
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Citizens, Europe and the media[electronic resource] :have new media made citizens more eurosceptical? /
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The reinvention of populist rhetoric in the digital age[electronic resource] :insiders & outsiders in democratic politics /
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International Theatre Olympics[electronic resource] :the artistic and intercultural power of olympism /
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The digital transformation of the public sphere[electronic resource] :conflict, migration, crisis and culture in digital networks /
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The Palgrave handbook of sound design and music in screen media[electronic resource] :integrated soundtracks /
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Disability media work[electronic resource] :opportunities and obstacles /
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Ethics and visual research methods[electronic resource] :theory, methodology, and practice /
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The visual divide between Islam and the West[electronic resource] :image perception within cross-cultural contexts /
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Plant horror[electronic resource] :approaches to the monstrous vegetal in fiction and film /
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Reading Radio 4[electronic resource] :a programme-by-programme analysis of Britain's most important radio station /
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Female olympians[electronic resource] :a mediated socio-cultural and political-economic timeline /
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Cuban film media, late socialism, and the public sphere[electronic resource] :imperfect aesthetics /
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Communicating climate change[electronic resource] :the path forward /
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Transmedia crime stories[electronic resource] :the trial of Amanda Knox and Raffaele Sollecito in the globalised media sphere /
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Popular music in Eastern Europe[electronic resource] :breaking the Cold War paradigm /
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Inequality, poverty, and precarity in contemporary American culture[electronic resource] /
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The Lebanese media[electronic resource] :anatomy of a system in perpertual crisis /
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Acting and being[electronic resource] :explorations in embodied performance /
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Scripting the environment[electronic resource] :oil, democracy and the sands of time and space /
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Terror in global narrative[electronic resource] :representations of 9/11 in the age of late-late capitalism /
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Innovative Methods in Media and Communication Research[electronic resource] /
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Digital activism in the social media era[electronic resource] :critical reflections on emerging trends in sub-Aaharan Africa /
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Playful memories[electronic resource] :the autofictional turn in post-dictatorship Argentina /
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A justice-based approach for new media policy[electronic resource] :in the paths of righteousness /
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Transnational contexts of culture, gender, class, and colonialism in play[electronic resource] :video games in East Asia /
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Marketing and American consumer culture[electronic resource] :a cultural studies analysis /
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Globalization and cyberculture[electronic resource] :an Afrocentric perspective /
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Mainstreaming Islam in Indonesia[electronic resource] :television, identity, and the middle class /
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Contemporary arts as political practice in Singapore[electronic resource] /
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The queer film festival[electronic resource] :popcorn and politics /
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Irish drama, modernity and the Passion play[electronic resource] /
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W.C. Fields from the Ziegfeld Follies and Broadway stage to the screen[electronic resource] :becoming a character comedian /
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Transnational contexts of development history, sociality, and society of play[electronic resource] :video games in East Asia /
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Applied discourse analysis[electronic resource] :popular culture, media, and everyday life /
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Feminist activism and digital networks[electronic resource] :between empowerment and vulnerability /
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The theatre of Romeo Castellucci and Societas Raffaello Sanzio[electronic resource] :from icon to iconoclasm, from word to image, from symbol to allegory /
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Transnational horror cinema[electronic resource] :bodies of excess and the global grotesque /
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Health communication in the changing media landscape[electronic resource] :perspectives from developing countries /
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Reframing immersive theatre[electronic resource] :the politics and pragmatics of participatory performance /
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Digital platforms and feminist film discourse[electronic resource] :women's cinema 2.0 /
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Image and text in conceptual art[electronic resource] :critical operations in context /
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Subjects