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ANU Productions[electronic resource]...
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ANU Productions (Theater group)
ANU Productions[electronic resource] :the Monto cycle /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
792.0941835
書名/作者:
ANU Productions : the Monto cycle // by Brian Singleton.
作者:
Singleton, Brian.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
xi, 109 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Theater - History - 21st century. - Ireland
標題:
Irish drama - 21st century.
標題:
Cultural and Media Studies.
標題:
Performing Arts.
標題:
Theatre History.
標題:
Social History.
標題:
British Culture.
標題:
History of Britain and Ireland.
ISBN:
9781349951338
ISBN:
9781349951321
內容註:
1. Introduction -- 2. World's End Lane -- 3. Laundry -- 4. The Boys of Foley Street -- 5. Vardo -- 6. Conclusion -- Bibliography.
摘要、提要註:
This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action. Brian Singleton is Samuel Beckett Professor Drama & Theatre, and Academic Director of The Lir - National Academy of Dramatic Art at Trinity College Dublin, Ireland. He is the author of Masculinities and the Contemporary Irish Theatre (2011, 2015), and edits (with Elaine Aston) the book series 'Contemporary Performance InterActions' for Palgrave Macmillan.
電子資源:
http://dx.doi.org/10.1057/978-1-349-95133-8
ANU Productions[electronic resource] :the Monto cycle /
Singleton, Brian.
ANU Productions
the Monto cycle /[electronic resource] :by Brian Singleton. - London :Palgrave Macmillan UK :2016. - xi, 109 p. :ill., digital ;24 cm.
1. Introduction -- 2. World's End Lane -- 3. Laundry -- 4. The Boys of Foley Street -- 5. Vardo -- 6. Conclusion -- Bibliography.
This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action. Brian Singleton is Samuel Beckett Professor Drama & Theatre, and Academic Director of The Lir - National Academy of Dramatic Art at Trinity College Dublin, Ireland. He is the author of Masculinities and the Contemporary Irish Theatre (2011, 2015), and edits (with Elaine Aston) the book series 'Contemporary Performance InterActions' for Palgrave Macmillan.
ISBN: 9781349951338
Standard No.: 10.1057/978-1-349-95133-8doiSubjects--Corporate Names:
687586
ANU Productions (Theater group)
Subjects--Topical Terms:
687587
Theater
--History--Ireland--21st century.
LC Class. No.: PN2602.D82 / S55 2016
Dewey Class. No.: 792.0941835
ANU Productions[electronic resource] :the Monto cycle /
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This book sets out strategies of analysis of the award-winning tetralogy of performances (2010-14) by ANU Productions known as 'The Monto Cycle'. Set within a quarter square mile of Dublin's north inner city, colloquially known as The Monto, these performances featured social concerns that have blighted the area over the past 100 years, including prostitution, trafficking, asylum-seeking, heroin addiction, and the scandal of the Magdalene laundries. While placing the four productions in their social, historical, cultural and economic contexts, the book examines these performances that operated at the intersection of performance, installation, visual art, choreography, site-responsive and community arts. In doing so, it explores their concerns with time, place, history, memory, the city, 'affect', and the self as agent of action. Brian Singleton is Samuel Beckett Professor Drama & Theatre, and Academic Director of The Lir - National Academy of Dramatic Art at Trinity College Dublin, Ireland. He is the author of Masculinities and the Contemporary Irish Theatre (2011, 2015), and edits (with Elaine Aston) the book series 'Contemporary Performance InterActions' for Palgrave Macmillan.
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