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Hong Kong and Bollywood[electronic r...
~
Kolluri, Satish.
Hong Kong and Bollywood[electronic resource] :globalization of Asian cinemas /
紀錄類型:
書目-電子資源 : Monograph/item
杜威分類號:
791.430951
書名/作者:
Hong Kong and Bollywood : globalization of Asian cinemas // edited by Joseph Tse-Hei Lee, Satish Kolluri.
其他作者:
Lee, Joseph Tse-Hei.
出版者:
New York : : Palgrave Macmillan US :, 2016.
面頁冊數:
xv, 300 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Motion pictures and globalization - India.
標題:
Motion pictures and globalization - China
標題:
Motion picture industry - India
標題:
Motion picture industry - China
標題:
Cultural and Media Studies.
標題:
Asian Cinema.
標題:
Asian Culture.
標題:
Globalization.
ISBN:
9781349949328
ISBN:
9781349949311
內容註:
.1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee -- Part I The Politics of Representation and Representation of Politics -- 2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir -- 3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau -- 4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee -- 5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas -- 6 1911: Cinematic Contradictions of Greater China Siu-Keung Cheung -- Part II: The Crisis of Representation and Representation of Crisis -- 7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri -- 8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang -- 9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar -- 10 Life without Principle: Financial Irregularities in Hong Kong Siu-Keung Cheung -- Part III: The Aesthetics of Representation and Representation of Aesthetics -- 11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty -- 12 Naqal and the Aesthetics of the Copy Anjali Gera Roy -- 13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan -- 14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita -- 15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su.
摘要、提要註:
This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of Global cinema.
電子資源:
http://dx.doi.org/10.1057/978-1-349-94932-8
Hong Kong and Bollywood[electronic resource] :globalization of Asian cinemas /
Hong Kong and Bollywood
globalization of Asian cinemas /[electronic resource] :edited by Joseph Tse-Hei Lee, Satish Kolluri. - New York :Palgrave Macmillan US :2016. - xv, 300 p. :ill., digital ;24 cm. - Global cinema. - Global cinema..
.1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee -- Part I The Politics of Representation and Representation of Politics -- 2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir -- 3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau -- 4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee -- 5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas -- 6 1911: Cinematic Contradictions of Greater China Siu-Keung Cheung -- Part II: The Crisis of Representation and Representation of Crisis -- 7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri -- 8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang -- 9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar -- 10 Life without Principle: Financial Irregularities in Hong Kong Siu-Keung Cheung -- Part III: The Aesthetics of Representation and Representation of Aesthetics -- 11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty -- 12 Naqal and the Aesthetics of the Copy Anjali Gera Roy -- 13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan -- 14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita -- 15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su.
This volume examines the transmission, reception, and reproduction of new cinematic styles, meanings, practices, and norms in early twenty-first-century Asia. Hong Kong and Bollywood offers new answers to the field of inter-Asian cultural studies, which has been energized by the trends towards transnationalism and translatability. It brings together a team of international scholars to capture the latest development in the film industries of Hong Kong and Mumbai, and to explore similar cross-cultural, political, and socioeconomic issues. It also explains how Hong Kong and Bollywood filmmakers have gone beyond the traditional focus on nationalism, urbanity and biculturalism to reposition themselves as new cultural forces in the pantheon of Global cinema.
ISBN: 9781349949328
Standard No.: 10.1057/978-1-349-94932-8doiSubjects--Topical Terms:
671248
Motion pictures and globalization
--India.
LC Class. No.: PN1993.5.I8 / H66 2016
Dewey Class. No.: 791.430951
Hong Kong and Bollywood[electronic resource] :globalization of Asian cinemas /
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