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Queer girls, temporality and screen ...
~
Monaghan, Whitney.
Queer girls, temporality and screen media[electronic resource] :not 'Just a Phase' /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.43086643
書名/作者:
Queer girls, temporality and screen media : not 'Just a Phase' // by Whitney Monaghan.
作者:
Monaghan, Whitney.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
x, 192 p. : : ill., digital ;; 22 cm.
Contained By:
Springer eBooks
標題:
Lesbianism in motion pictures.
標題:
Lesbianism on television.
標題:
Cultural and Media Studies.
標題:
Film Theory.
標題:
Media Studies.
標題:
Gender Studies.
標題:
Screen Performance.
ISBN:
9781137555984
ISBN:
9781137555977
摘要、提要註:
This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television's first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as 'a passing phase.' In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded.
電子資源:
http://dx.doi.org/10.1057/978-1-137-55598-4
Queer girls, temporality and screen media[electronic resource] :not 'Just a Phase' /
Monaghan, Whitney.
Queer girls, temporality and screen media
not 'Just a Phase' /[electronic resource] :by Whitney Monaghan. - London :Palgrave Macmillan UK :2016. - x, 192 p. :ill., digital ;22 cm.
This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television's first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as 'a passing phase.' In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded.
ISBN: 9781137555984
Standard No.: 10.1057/978-1-137-55598-4doiSubjects--Topical Terms:
441415
Lesbianism in motion pictures.
LC Class. No.: PN1995.9.L48 / M66 2016
Dewey Class. No.: 791.43086643
Queer girls, temporality and screen media[electronic resource] :not 'Just a Phase' /
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This critical analysis of contemporary film, television and video, examines how queer girls have become more regular onscreen in recent years, why this occurs, why it is problematic, and how some screen texts have responded. It wasn't until 1987 that one of teen television's first queer girls appeared on the Canadian series Degrassi Junior High. It took more than a decade for same-sex attracted female characters to regularly appear on Western television, and a further decade for this to regularly occur within teen-oriented programming. Nowadays, queer girls are the major characters in mainstream television series as well as the protagonists and love interests in both short and feature length films around the globe. However, these characters are dominantly represented through storylines emphasizing their sexuality as 'a passing phase.' In this critical analysis of contemporary film, television and video, Whitney Monaghan explores how this occurs, why it is problematic, and how some screen texts have responded.
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