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New queer Sinophone cinema[electroni...
~
Pecic, Zoran Lee.
New queer Sinophone cinema[electronic resource] :local histories, transnational connections /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.4308664
書名/作者:
New queer Sinophone cinema : local histories, transnational connections // by Zoran Lee Pecic.
作者:
Pecic, Zoran Lee.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
xiv, 152 p. : : ill., digital ;; 22 cm.
Contained By:
Springer eBooks
標題:
Motion pictures - Social aspects - China.
標題:
Homosexuality in motion pictures.
標題:
Gays in motion pictures.
標題:
Cultural and Media Studies.
標題:
Film and Television Studies.
標題:
Media Studies.
標題:
Chinese.
ISBN:
9781349948826
ISBN:
9781349948819
內容註:
Introduction -- Chapter 1: Thirdspace of East Palace, West Palace -- Chapter 2: Crossing Time and Space: Female Desire in Yan Yan Mak's Butterfly -- Chapter 3: Zero Chou's Tongzhi Trilogy -- Chapter 4: Queer Auteurs of Hong Kong Cinema -- Conclusion -- Notes.
摘要、提要註:
This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic. Queerness in this book not only problematises the positioning of non-normative desires within the Sinophone; it also challenges Eurocentric critical perspectives on filmic representation that are tied to the idea of the binary between East/West. New Queer Sinophone Cinema will appeal to scholars in Chinese and film studies, as well as to anyone who is interested in queer Chinese cinema. Zoran Lee Pecic is an Assistant Professor at the Department of Communication and Arts at Roskilde University, Denmark. He is the author of Queer Narratives of the Caribbean Diaspora: Exploring Tactics (Palgrave Macmillan 2013)
電子資源:
http://dx.doi.org/10.1057/978-1-349-94882-6
New queer Sinophone cinema[electronic resource] :local histories, transnational connections /
Pecic, Zoran Lee.
New queer Sinophone cinema
local histories, transnational connections /[electronic resource] :by Zoran Lee Pecic. - London :Palgrave Macmillan UK :2016. - xiv, 152 p. :ill., digital ;22 cm.
Introduction -- Chapter 1: Thirdspace of East Palace, West Palace -- Chapter 2: Crossing Time and Space: Female Desire in Yan Yan Mak's Butterfly -- Chapter 3: Zero Chou's Tongzhi Trilogy -- Chapter 4: Queer Auteurs of Hong Kong Cinema -- Conclusion -- Notes.
This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic. Queerness in this book not only problematises the positioning of non-normative desires within the Sinophone; it also challenges Eurocentric critical perspectives on filmic representation that are tied to the idea of the binary between East/West. New Queer Sinophone Cinema will appeal to scholars in Chinese and film studies, as well as to anyone who is interested in queer Chinese cinema. Zoran Lee Pecic is an Assistant Professor at the Department of Communication and Arts at Roskilde University, Denmark. He is the author of Queer Narratives of the Caribbean Diaspora: Exploring Tactics (Palgrave Macmillan 2013)
ISBN: 9781349948826
Standard No.: 10.1057/978-1-349-94882-6doiSubjects--Topical Terms:
647210
Motion pictures
--Social aspects--China.
LC Class. No.: PN1995.9.H55 / P43 2016
Dewey Class. No.: 791.4308664
New queer Sinophone cinema[electronic resource] :local histories, transnational connections /
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Introduction -- Chapter 1: Thirdspace of East Palace, West Palace -- Chapter 2: Crossing Time and Space: Female Desire in Yan Yan Mak's Butterfly -- Chapter 3: Zero Chou's Tongzhi Trilogy -- Chapter 4: Queer Auteurs of Hong Kong Cinema -- Conclusion -- Notes.
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This book looks closely at some of the most significant films within the field of queer Sinophone cinema. Examining queerness in films produced in the PRC, Taiwan and Hong Kong, the book merges the Sinophone with the queer, theorising both concepts as local and global, homebound as well as diasporic. Queerness in this book not only problematises the positioning of non-normative desires within the Sinophone; it also challenges Eurocentric critical perspectives on filmic representation that are tied to the idea of the binary between East/West. New Queer Sinophone Cinema will appeal to scholars in Chinese and film studies, as well as to anyone who is interested in queer Chinese cinema. Zoran Lee Pecic is an Assistant Professor at the Department of Communication and Arts at Roskilde University, Denmark. He is the author of Queer Narratives of the Caribbean Diaspora: Exploring Tactics (Palgrave Macmillan 2013)
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