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Abel Gance and the end of silent cinema[electronic resource] :sounding out Utopia /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4372
書名/作者:	Abel Gance and the end of silent cinema : sounding out Utopia // by Paul Cuff.
作者:	Cuff, Paul.
出版者:	Cham : : Springer International Publishing :, 2016.
面頁冊數:	xxxii, 241 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Apocalyptic films.
標題:	Cultural and Media Studies.
標題:	Film and Television Studies.
標題:	European Culture.
標題:	Music.
標題:	Cultural History.
ISBN:	9783319388182
ISBN:	9783319388175
內容註:	Preface: The sublime and the ridiculous -- Part I: Overcoming the past -- Introduction -- 1. In the shadow of war -- 2. Towards utopia -- 3. Prophets of the future -- 4. Cinema and the life of space -- Summary: Part I -- Part II: Impossible dreams -- Introduction -- 5. Artistic integrity and industrial change -- 6. A history of incompletion -- Summary: Part II -- Part III: The marvels of ruins -- Introduction -- 7. Passion and performance -- 8. Fighting to be heard -- 9. The world on fire -- Summary: Part III -- Conclusion: "Why have I been only what I am?".
摘要、提要註:	This book explores the creation and destruction of Abel Gance's most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France's most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance's first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director's inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance's transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance's lost cinematic utopia.
電子資源:	http://dx.doi.org/10.1007/978-3-319-38818-2

Abel Gance and the end of silent cinema[electronic resource] :sounding out Utopia /
Cuff, Paul.

Abel Gance and the end of silent cinemasounding out Utopia /[electronic resource] :by Paul Cuff. - Cham :Springer International Publishing :2016. - xxxii, 241 p. :ill., digital ;24 cm.

Preface: The sublime and the ridiculous -- Part I: Overcoming the past -- Introduction -- 1. In the shadow of war -- 2. Towards utopia -- 3. Prophets of the future -- 4. Cinema and the life of space -- Summary: Part I -- Part II: Impossible dreams -- Introduction -- 5. Artistic integrity and industrial change -- 6. A history of incompletion -- Summary: Part II -- Part III: The marvels of ruins -- Introduction -- 7. Passion and performance -- 8. Fighting to be heard -- 9. The world on fire -- Summary: Part III -- Conclusion: "Why have I been only what I am?".

This book explores the creation and destruction of Abel Gance's most ambitious film project, and seeks to explain why his meteoric career was so nearly extinguished at the end of silent cinema. By 1929, Gance was France's most famous director. Acclaimed for his technical innovation and visual imagination, he was also admonished for the excessive length and expense of his productions. Gance's first sound film, La Fin du Monde (1930), was a critical and financial disaster so great that it nearly destroyed his career. But what went wrong? Gance claimed it was commercial sabotage whilst critics blamed the director's inexperience with new technology. Neither excuse is satisfactory. Based on extensive archival research, this book re-investigates the cultural background and aesthetic consequences of Gance's transition from silent filmmaking to sound cinema. La Fin du Monde is revealed to be only one element of an extraordinary cultural project to transform cinema into a universal religion and propagate its power through the League of Nations. From unfinished films to unrealized social revolutions, the reader is given a fascinating tour of Gance's lost cinematic utopia.

ISBN: 9783319388182

Standard No.: 10.1007/978-3-319-38818-2doiSubjects--Personal Names:

687595
Gance, Abel
--Criticism and interpretation.Subjects--Uniform Titles:

Fin du Monde (Motion picture : 1931)
Subjects--Topical Terms:

687596
Apocalyptic films.

LC Class. No.: PN1997.F56 / C84 2016

Dewey Class. No.: 791.4372

Abel Gance and the end of silent cinema[electronic resource] :sounding out Utopia /
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