English fiction - History and criticism. - 19th century
Overview
| Works: | 86 works in 30 publications in 30 languages | |
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Titles
Queering Gothic in the Romantic age[electronic resource] :the penetrating eye /
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The gothic and the rule of the law, 1764-1820[electronic resource]/
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The nineteenth century English novel[electronic resource] :family ideology and narrative form /
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Aristocratic women and the literary nation, 1832-1867[electronic resource] /
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Oscar Wilde as a character in Victorian fiction[electronic resource] /
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Rereading the nineteenth century[electronic resource] :studies in the old criticism from Austen to Lawrence /
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Populism, gender, and sympathy in the romantic novel[electronic resource] /
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Victorian detective fiction and the nature of evidence[electronic resource] :the scientific investigations of Poe, Dickens, and Doyle /
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The January-May marriage in nineteenth-century British literature[electronic resource] /
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Novel violence[electronic resource] :a narratography of Victorian fiction /
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The awkward age in women's popular fiction, 1850-1900[electronic resource] :girls and the transition to womanhood /
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Crime and empire[electronic resource] :the colony in nineteenth-century fictions of crime /
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Patent inventions--intellectual property and the Victorian novel[electronic resource] /
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The novelty of newspapers[electronic resource] :Victorian fiction after the invention of the news /
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Silent voices[electronic resource] :forgotten novels by Victorian women writers /
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Class, culture and suburban anxieties in the Victorian era[electronic resource] /
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Victorian servants, class, and the politics of literacy[electronic resource] /
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Time, space, and gender in the nineteenth-century British diary[electronic resource] /
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Heritage, nostalgia and modern British theatre[electronic resource] :staging the Victorians /
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Graphing Jane Austen[electronic resource] :the evolutionary basis of literary meaning /
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Victorian unfinished novels[electronic resource] :the imperfect page /
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Writing death and absence in the Victorian novel[electronic resource] :engraved narratives /
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Gender and ventriloquism in Victorian and neo-Victorian fiction[electronic resource] :passionate puppets /
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Unseasonable youth[electronic resource] :modernism, colonialism, and the fiction of development /
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The American slave narrative and the Victorian novel[electronic resource] /
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Women's authorship and editorship in Victorian culture[electronic resource] :sensational strategies /
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Science, sexuality and sensation novels[electronic resource] :pleasures of the senses /
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Women writers and detectives in nineteenth-century crime fiction[electronic resource] :the mothers of the mystery genre /
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Literature after Darwin[electronic resource] :human beasts in western fiction, 1859-1939 /
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The 'invisible hand' and British fiction 1818-1860[electronic resource] :Adam Smith, political economy, and the genre of realism /
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Femininity, crime and self-defence in Victorian literature and society[electronic resource] :from dagger-fans to suffragettes /
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Literary epiphany in the novel, 1850-1950[electronic resource] :constellations of the soul /
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Feminine subjects in masculine fiction[electronic resource] :modernity, will and desire, 1870-1910 /
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Semi-detached empire[electronic resource] :suburbia and the colonization of Britain, 1880to the present /
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Museum trouble[electronic resource] :Edwardian fiction and the emergence of modernism /
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The vulgar question of money[electronic resource] :heiresses, materialism, and the novel of manners from Jane Austen to Henry James /
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Charity and condescension[electronic resource] :Victorian literature and the dilemmas of philanthropy /
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Doctoring the novel[electronic resource] :medicine and quackery from Shelley to Doyle /
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Sympathetic realism in nineteenth-century British fiction[electronic resource] /
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The dispossessed state[electronic resource] :narratives of ownership in nineteenth-century Britain and Ireland /
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The dream life of citizens[electronic resource] :late Victorian novels and the fantasy ofthe state /
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Thinking without thinking in the Victorian novel[electronic resource] /
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Postal plots in British fiction, 1840-1898[electronic resource] :readdressing correspondence in Victorian culture /
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Habit in the English Novel, 1850-1900 :Lived Environments, Practices of the Self /
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Fin-de-Siècle fictions, 1890s-1990s :apocalypse, technoscience, empire /
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Subversion and Sympathy[electronic resource] :Gender, Law, and the British Novel /
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Books for children, books for adults :age and the novel from Defoe to James /
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The female romantics[electronic resource] :nineteenth-century women novelists and Byronism /
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From Dickens to Dracula :Gothic, economics, and Victorian fiction /
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Fiction, famine, and the rise of economics in Victorian Britain and Ireland /
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The anti-Jacobin novel :British conservatism and the French Revolution /
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Contesting the Gothic :fiction, genre, and cultural conflict, 1764-1832 /
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The anthology and the rise of the novel :from Richardson to George Eliot /
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Darwin's plots :evolutionary narrative in Darwin, George Eliot, and nineteenth-century fiction /
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Modernism, romance, and the fin de siècle :popular fiction and British culture, 1880-1914 /
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Gothic forensics[electronic resource] :criminal investigative procedure in Victorian horror & mystery /
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The food plot in the nineteenth-century British novel[electronic resource] /
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Atonement and self-sacrifice in nineteenth-century narrative[electronic resource] /
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An underground history of early Victorian fiction[electronic resource] :Chartism, radical print culture, and the social problem novel /
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Populating the novel[electronic resource] :literary form and the politics of surplus life /
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Settler colonialism in Victorian literature[electronic resource] :economics and political identity in the networks of empire /
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Plotting disability in the nineteenth-century novel[electronic resource] /
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Threatened masculinity from British fiction (1880-1915) to Cold War German cinema[electronic resource] /
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Reading bodies in Victorian fiction[electronic resource] :associationism, empathy and literary authority /
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Subjects