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Ethics and narrative in the English ...
~
Larson, Jil,
Ethics and narrative in the English novel, 1880-1914 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823/.809353
書名/作者:
Ethics and narrative in the English novel, 1880-1914 // Jil Larson.
其他題名:
Ethics & Narrative in the English Novel, 1880–1914
作者:
Larson, Jil,
面頁冊數:
1 online resource (ix, 176 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
Narration (Rhetoric) - History - 19th century.
標題:
Narration (Rhetoric) - History - 20th century.
標題:
English fiction - History and criticism. - 20th century
標題:
Ethics in literature.
標題:
English fiction - History and criticism. - 19th century
標題:
Didactic fiction, English - History and criticism.
ISBN:
9780511483141 (ebook)
內容註:
Ethics and the turn to narrative -- Victorian history and ethics: anxiety about agency at the fin-de-siècle -- Emotion, gender, and ethics in fiction by Thomas Hardy and the New Woman writers -- When hope unblooms: chance and moral luck in A Laodicean, The mayor of Castorbridge, and Tess -- Oscar Wilde and Henry James: aestheticizing ethics -- Promises, lies, and ethical agency in Joseph Conrad's Under western eyes.
摘要、提要註:
Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.
電子資源:
http://dx.doi.org/10.1017/CBO9780511483141
Ethics and narrative in the English novel, 1880-1914 /
Larson, Jil,
Ethics and narrative in the English novel, 1880-1914 /
Ethics & Narrative in the English Novel, 1880–1914Jil Larson. - 1 online resource (ix, 176 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Ethics and the turn to narrative -- Victorian history and ethics: anxiety about agency at the fin-de-siècle -- Emotion, gender, and ethics in fiction by Thomas Hardy and the New Woman writers -- When hope unblooms: chance and moral luck in A Laodicean, The mayor of Castorbridge, and Tess -- Oscar Wilde and Henry James: aestheticizing ethics -- Promises, lies, and ethical agency in Joseph Conrad's Under western eyes.
Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.
ISBN: 9780511483141 (ebook)Subjects--Topical Terms:
376020
Narration (Rhetoric)
--History--19th century.
LC Class. No.: PR878.E67 / L37 2001
Dewey Class. No.: 823/.809353
Ethics and narrative in the English novel, 1880-1914 /
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Drawing on interdisciplinary work in the field of ethics and literature by a diverse range of thinkers, including Martha Nussbaum, Emmanuel Levinas and Paul Ricoeur, Jil Larson offers new readings of late Victorian and turn-of-the-century British fiction, she shows how ethical concepts can transform our understanding of narratives, just as narratives make possible a valuable, contextualised moral deliberation. Focusing on novels by Thomas Hardy, Sarah Grand, Olive Schreiner, Oscar Wilde, and Henry James, Larson explores the conjunction of ethics and fin-de-siècle history and culture through a consideration of what narratives from this period tell us about emotion, reason, and gender, aestheticism, and such speech acts as promising and lying. This book will be of interest to scholars of nineteenth century and modernism, and all interested in the conjunction between narrative, ethics and literary theory.
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http://dx.doi.org/10.1017/CBO9780511483141
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