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Haunting and spectrality in neo-Vict...
~
Arias de Aramburâu, Rosario.
Haunting and spectrality in neo-Victorian fiction[electronic resource] :possessing the past /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823.9140958281
書名/作者:
Haunting and spectrality in neo-Victorian fiction : possessing the past // edited by Rosario Arias, Patricia Pulham.
其他作者:
Arias de Aramburâu, Rosario.
出版者:
Basingstoke : : Palgrave Macmillan,, 2009.
面頁冊數:
p.; cm.
標題:
English fiction - History and criticism. - 20th century
標題:
American fiction - History and criticism. - 20th century
標題:
Ghosts in literature.
標題:
Novelists, English - 19th century.
ISBN:
9780230246744
ISBN:
0230246745
內容註:
Salley Vickers, Venice, and the Victorians / F.O'Gorman -- Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass / M.Llewellyn -- Repetition and Eternity: Spectral and Textual Continuity in Micháele Roberts' In the Red Kitchen / A.Golda-Derejczyk -- The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly / E.Saxey -- Olfactory Ghosts: Michel Faber's The Crimson Petal and the White / S.Colella -- The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others / A.Heilmann -- Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction / R.Arias -- Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem / P.Pulham.
摘要、提要註:
Neo-Victorianism is now widely accepted as one of the most engaging forms of historical interplay in contemporary culture. This is the first book to offer a thorough examination of neo-Victorian fiction in the context of haunting and spectrality. Acknowledged as a fruitful area ofresearch in recent critical theory, this trope provides both the organizing principle of the volume and a metaphor for contemporary re-imaginings of the Victorian past, which parallel a renewed interest in the impact of the occult and the supernatural on Victorian individuals. By looking at the encrypted spectral traces of the Victorian past in the work of writers such as Salley Vickers, Michel Faber, ValerieMartin, Micèhle Roberts, Sarah Waters, A. N. Wilson, Joyce Carol Oates, John Harwood, Jem Poster, Charles Palliser, Iain Sinclair, Peter Ackroyd, Matthew Kneale and Clare Clark, this highly readable collection advances the increasing critical discussion of neo-Victorian literature.
電子資源:
access to fulltext (Palgrave)
Haunting and spectrality in neo-Victorian fiction[electronic resource] :possessing the past /
Haunting and spectrality in neo-Victorian fiction
possessing the past /[electronic resource] :edited by Rosario Arias, Patricia Pulham. - Basingstoke :Palgrave Macmillan,2009. - p.cm.
Salley Vickers, Venice, and the Victorians / F.O'Gorman -- Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass / M.Llewellyn -- Repetition and Eternity: Spectral and Textual Continuity in Micháele Roberts' In the Red Kitchen / A.Golda-Derejczyk -- The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly / E.Saxey -- Olfactory Ghosts: Michel Faber's The Crimson Petal and the White / S.Colella -- The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others / A.Heilmann -- Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction / R.Arias -- Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem / P.Pulham.
Neo-Victorianism is now widely accepted as one of the most engaging forms of historical interplay in contemporary culture. This is the first book to offer a thorough examination of neo-Victorian fiction in the context of haunting and spectrality. Acknowledged as a fruitful area ofresearch in recent critical theory, this trope provides both the organizing principle of the volume and a metaphor for contemporary re-imaginings of the Victorian past, which parallel a renewed interest in the impact of the occult and the supernatural on Victorian individuals. By looking at the encrypted spectral traces of the Victorian past in the work of writers such as Salley Vickers, Michel Faber, ValerieMartin, Micèhle Roberts, Sarah Waters, A. N. Wilson, Joyce Carol Oates, John Harwood, Jem Poster, Charles Palliser, Iain Sinclair, Peter Ackroyd, Matthew Kneale and Clare Clark, this highly readable collection advances the increasing critical discussion of neo-Victorian literature.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230246744
Standard No.: 10.1057/9780230246744doiSubjects--Topical Terms:
370797
English fiction
--History and criticism.--20th centuryIndex Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: PR883 / .H386 2009
Dewey Class. No.: 823.9140958281
Haunting and spectrality in neo-Victorian fiction[electronic resource] :possessing the past /
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Salley Vickers, Venice, and the Victorians / F.O'Gorman -- Spectrality, S(p)ecularity and Textuality: Or, Some Reflections in the Glass / M.Llewellyn -- Repetition and Eternity: Spectral and Textual Continuity in Micháele Roberts' In the Red Kitchen / A.Golda-Derejczyk -- The Maid, the Master, his Ghost and her Monster: Alias Grace and Mary Reilly / E.Saxey -- Olfactory Ghosts: Michel Faber's The Crimson Petal and the White / S.Colella -- The Haunting of Henry James: Jealous Ghosts, Affinities, and The Others / A.Heilmann -- Haunted Places, Haunted Spaces: The Spectral Return of Victorian London in Neo-Victorian Fiction / R.Arias -- Mapping Histories: The Golem and the Serial Killer in White Chappell, Scarlet Tracings and Dan Leno and the Limehouse Golem / P.Pulham.
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Neo-Victorianism is now widely accepted as one of the most engaging forms of historical interplay in contemporary culture. This is the first book to offer a thorough examination of neo-Victorian fiction in the context of haunting and spectrality. Acknowledged as a fruitful area ofresearch in recent critical theory, this trope provides both the organizing principle of the volume and a metaphor for contemporary re-imaginings of the Victorian past, which parallel a renewed interest in the impact of the occult and the supernatural on Victorian individuals. By looking at the encrypted spectral traces of the Victorian past in the work of writers such as Salley Vickers, Michel Faber, ValerieMartin, Micèhle Roberts, Sarah Waters, A. N. Wilson, Joyce Carol Oates, John Harwood, Jem Poster, Charles Palliser, Iain Sinclair, Peter Ackroyd, Matthew Kneale and Clare Clark, this highly readable collection advances the increasing critical discussion of neo-Victorian literature.
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