American fiction - History and criticism. - 20th century
概要
作品: | 75 作品在 38 項出版品 38 種語言 |
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書目資訊
Sex, race, and family in contemporary American short stories[electronic resource] /
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The hero in contemporary American fiction[electronic resource] :the works of Saul Bellow and Don DeLillo /
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Race and White identity in southern fiction[electronic resource] :from Faulkner to Morrison /
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The anti-hero in the American novel[electronic resource] :from Joseph Heller to Kurt Vonnegut /
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Popular feminist fiction as American allegory[electronic resource]:representing national time /
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Deleuze and American literature[electronic resource] :affect andvirtuality in Faulkner, Wharton, Ellison, and McCarthy /
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Haunting and spectrality in neo-Victorian fiction[electronic resource] :possessing the past /
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The culture of soft work[electronic resource] :labor, gender, and race in postmodern American narrative /
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Modern American reading practices[electronic resource] :between aesthetics and history /
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The contemporary Anglophone travel novel[electronic resource] :the aesthetics of self-fashioning in the era of globalization /
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Protestant evangelical literary culture and contemporary society[electronic resource] /
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Fantasy and reconciliation[electronic resource] :contemporary formulas of women's romance fiction /
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Rereading the Harlem renaissance[electronic resource] :race, class, and gender in the fiction of Jessie Fauset, Zora Neale Hurston, and Dorothy West /
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Yesterday's stories[electronic resource] :popular women's novels of the twenties and thirties /
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Ghetto images in twentieth-century American literature[electronic resource] :writing apartheid /
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Language, gender, and community in late twentieth-century fiction[electronic resource] :American voices and American identities /
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Mama's boy[electronic resource] :momism and homophobia in postwar American culture /
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Literary epiphany in the novel, 1850-1950[electronic resource] :constellations of the soul /
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Conjuring moments in African American literature[electronic resource] :women, spirit work, and other such hoodoo /
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Pink pirates[electronic resource] :contemporary American women writers and copyright /
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Shadowing the white man's burden[electronic resource] :U.S. imperialism and the problem of the color line /
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Spies and holy wars[electronic resource] :the Middle East in 20th-century crime fiction /
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Disciplining girls[electronic resource] :understanding the origins of the classic orphan girl story /
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Of space and mind[electronic resource] :cognitive mappings of contemporary Chicano/a fiction /
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Reading embodied citizenship[electronic resource] :disability, narrative, and the body politic /
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Romances of the white man's burden[electronic resource] :race, empire, and the plantationin American literature, 1880-1936 /
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The genius of democracy[electronic resource] :fictions of genderand citizenship in the United States, 1860-1945 /
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The postwar African American novel[electronic resource] :protestand discontent, 1945-1950/
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Abandoning the Black hero[electronic resource] :sympathy and privacy in the postwar African American white-life novel /
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T.S. Eliot and the failure to connect[electronic resource] :satire on modern misunderstandings /
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The undeclared war between journalism and fiction :journalists as genre benders in literary history /
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Downwardly Mobile[electronic resource] :The Changing Fortunes of American Realism /
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No Accident, Comrade[electronic resource] :Chance and Design in Cold War American Narratives /
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Fictions of fact and value :the erasure of logical positivism in American literature, 1945-1975 /
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Criminal femmes fatales in American hardboiled crime fiction[electronic resource] /
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Present-tense narration in contemporary fiction[electronic resource] :a narratological overview /
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The poetics of insecurity[electronic resource] :American fiction and the uses of threat /
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The spectre of defeat in post-war British and US literature :experience, memory and post-memory /
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