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Harmony in Mendelssohn and Schumann[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	781.25
書名/作者:	Harmony in Mendelssohn and Schumann/ David Damschroder.
作者:	Damschroder, David.
出版者:	Cambridge : : Cambridge University Press,, 2018.
面頁冊數:	xii, 280 p. : : ill., digital ;; 24 cm.
附註:	Title from publisher's bibliographic system (viewed on 17 Nov 2017).
標題:	Music - Analysis, appreciation. - 19th centuty
ISBN:	9781108284110
ISBN:	9781108418034
ISBN:	9781108406246
摘要、提要註:	This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
電子資源:	https://doi.org/10.1017/9781108284110

Harmony in Mendelssohn and Schumann[electronic resource] /
Damschroder, David.

Harmony in Mendelssohn and Schumann[electronic resource] /David Damschroder. - Cambridge :Cambridge University Press,2018. - xii, 280 p. :ill., digital ;24 cm.

Title from publisher's bibliographic system (viewed on 17 Nov 2017).

This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.

ISBN: 9781108284110Subjects--Personal Names:

752142
Mendelssohn-Bartholdy, Felix,
1809-1847--Harmony.Subjects--Topical Terms:

752143
Music
--Analysis, appreciation.--19th centuty

LC Class. No.: MT90 / .D35 2018

Dewey Class. No.: 781.25

Harmony in Mendelssohn and Schumann[electronic resource] /
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500 $a Title from publisher's bibliographic system (viewed on 17 Nov 2017).
520 $a This innovative book continues David Damschroder's radical reformulation of harmonic theory, presenting a dynamic exploration of harmony in the compositions of Mendelssohn and Schumann, two key figures of nineteenth-century classical music. This volume's introductory chapters creatively introduce the basic tenets of the system, with reference to sound files rather than notated music examples permitting a more direct interaction between reader and music. In the Masterworks section that follows, Damschroder presents detailed analyses of movements from piano, vocal, and chamber music, and compares his outcomes with those of other analysts, including Benedict Taylor, L. Poundie Burstein, and Peter H. Smith. Expanding upon analytical practices from the eighteenth and nineteenth centuries, and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
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