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Harmony in Beethoven[electronic reso...

Beethoven, Ludwig van, (1770-1827)

Harmony in Beethoven[electronic resource] /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	786.2092
書名/作者:	Harmony in Beethoven/ David Damschroder.
作者:	Damschroder, David.
出版者:	Cambridge : : Cambridge University Press,, 2016.
面頁冊數:	xiii, 292 p. : : digital ;; 24 cm.
附註:	Title from publisher's bibliographic system (viewed on 08 Mar 2016).
標題:	Harmony.
ISBN:	9781316471043
ISBN:	9781107134584
ISBN:	9781316500620
摘要、提要註:	David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
電子資源:	https://doi.org/10.1017/CBO9781316471043

Harmony in Beethoven[electronic resource] /
Damschroder, David.

Harmony in Beethoven[electronic resource] /David Damschroder. - Cambridge :Cambridge University Press,2016. - xiii, 292 p. :digital ;24 cm.

Title from publisher's bibliographic system (viewed on 08 Mar 2016).

David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.

ISBN: 9781316471043Subjects--Personal Names:

484455
Beethoven, Ludwig van,
1770-1827--Criticism and interpretation.Subjects--Topical Terms:

434249
Harmony.

LC Class. No.: ML410.B42 / D37 2016

Dewey Class. No.: 786.2092

Harmony in Beethoven[electronic resource] /
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245 1 0 $a Harmony in Beethoven $h [electronic resource] / $c David Damschroder.
260 $a Cambridge : $b Cambridge University Press, $c 2016.
300 $a xiii, 292 p. : $b digital ; $c 24 cm.
500 $a Title from publisher's bibliographic system (viewed on 08 Mar 2016).
520 $a David Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis - both in terms of how Roman numerals are deployed and how musical processes are described in words.
600 1 0 $a Beethoven, Ludwig van, $d 1770-1827 $x Criticism and interpretation. $3 484455
650 0 $a Harmony. $3 434249
856 4 0 $u https://doi.org/10.1017/CBO9781316471043

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