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Storytelling and ethics :literature,...

Davis, Colin, (1960-)

Storytelling and ethics :literature, visual arts and the power of narrative /

Record Type:	Language materials, printed : Monograph/item
[NT 15000414]:	808/.036
Title/Author:	Storytelling and ethics : : literature, visual arts and the power of narrative // edited by Hanna Meretoja and Colin Davis.
other author:	Meretoja, Hanna,
Published:	New York ; : Routledge,, 2018.
Description:	x, 314 p. : : ill. ;; 24 cm.
Subject:	Storytelling.
Subject:	Narration (Rhetoric) - Moral and ethical aspects.
Subject:	Narration (Rhetoric) - Social aspects.
Subject:	Narration (Rhetoric) - Psychological aspects.
Subject:	Ethics in literature.
Subject:	Arts - Moral and ethical aspects.
ISBN:	9781138244061 (hbk.) :
[NT 15000227]:	Includes bibliographical references and index.
[NT 15000229]:	"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" --

Storytelling and ethics :literature, visual arts and the power of narrative /
Storytelling and ethics :literature, visual arts and the power of narrative /edited by Hanna Meretoja and Colin Davis. - New York ;Routledge,2018. - x, 314 p. :ill. ;24 cm. - Routledge interdisciplinary perspectives on literature ;80.

Includes bibliographical references and index.

"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" --

ISBN: 9781138244061 (hbk.) :NTD 4,456

LCCN: 2017018652Subjects--Topical Terms:

339234
Storytelling.

LC Class. No.: PN56.S7357 / S763 2018

Dewey Class. No.: 808/.036

Storytelling and ethics :literature, visual arts and the power of narrative /
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010 $a 2017018652
020 $a 9781138244061 (hbk.) : $c NTD 4,456
020 $z 9781315265018 (ebk.)
040 $a DLC $b eng $c DLC $d DYU
041 0 $a eng
050 0 0 $a PN56.S7357 $b S763 2018
082 0 0 $a 808/.036 $2 23
245 0 0 $a Storytelling and ethics : $b literature, visual arts and the power of narrative / $c edited by Hanna Meretoja and Colin Davis.
260 $a New York ; $a London : $b Routledge, $c 2018.
300 $a x, 314 p. : $b ill. ; $c 24 cm.
490 0 $a Routledge interdisciplinary perspectives on literature ; $v 80
504 $a Includes bibliographical references and index.
520 $a "In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" -- $c Provided by publisher.
650 0 $a Storytelling. $3 339234
650 0 $a Narration (Rhetoric) $x Moral and ethical aspects. $3 374904
650 0 $a Narration (Rhetoric) $x Social aspects. $3 701074
650 0 $a Narration (Rhetoric) $x Psychological aspects. $3 584822
650 0 $a Ethics in literature. $3 228602
650 0 $a Arts $x Moral and ethical aspects. $3 701075
700 1 $a Meretoja, Hanna, $d 1977- $3 701073
700 1 $a Davis, Colin, $d 1960- $3 370859