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Chinese American literature without ...
~
Cheung, King-Kok.
Chinese American literature without borders[electronic resource] :gender, genre, and form /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
810.98951
書名/作者:
Chinese American literature without borders : gender, genre, and form // by King-Kok Cheung.
作者:
Cheung, King-Kok.
出版者:
New York : : Palgrave Macmillan US :, 2016.
面頁冊數:
xiii, 326 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
American literature - Chinese authors
標題:
Culture in literature.
標題:
Women in literature.
標題:
Masculinity in literature.
標題:
Literature.
標題:
Asian Literature.
標題:
Literary Theory.
標題:
Cultural Theory.
標題:
Gender Studies.
標題:
Postcolonial/World Literature.
標題:
North American Literature.
ISBN:
9781137441775
ISBN:
9781137453532
摘要、提要註:
This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.
電子資源:
http://dx.doi.org/10.1057/978-1-137-44177-5
Chinese American literature without borders[electronic resource] :gender, genre, and form /
Cheung, King-Kok.
Chinese American literature without borders
gender, genre, and form /[electronic resource] :by King-Kok Cheung. - New York :Palgrave Macmillan US :2016. - xiii, 326 p. :ill., digital ;24 cm.
This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.
ISBN: 9781137441775
Standard No.: 10.1057/978-1-137-44177-5doiSubjects--Topical Terms:
688802
American literature
--Chinese authors
LC Class. No.: PS153.C45 / C485 2016
Dewey Class. No.: 810.98951
Chinese American literature without borders[electronic resource] :gender, genre, and form /
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This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.
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