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Hugo Chavez, Ali Primera and Venezue...
~
Chavez Frias, Hugo.
Hugo Chavez, Ali Primera and Venezuela[electronic resource] :the politics of music in Latin America /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
782.4215990987
書名/作者:
Hugo Chavez, Ali Primera and Venezuela : the politics of music in Latin America // by Hazel Marsh.
作者:
Marsh, Hazel.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
ix, 239 p. : : ill., digital ;; 22 cm.
Contained By:
Springer eBooks
標題:
Political ballads and songs - Venezuela.
標題:
History.
標題:
Cultural History.
標題:
History of the Americas.
標題:
Music.
ISBN:
9781137579683
ISBN:
9781137579676
摘要、提要註:
Unlike much of the literature on Venezuela in the Chavez period, this book shifts focus away from 'top down' perspectives to examine how Venezuelan folksinger Ali Primera (1942-1985) became intertwined with Venezuelan politics, both during his lifetime and posthumously. Ali's 'Necessary Songs' offered cultural resources that enabled Chavez to connect with pre-existing patterns of grassroots activism in ways that resonated deeply with the poor and marginalised masses. Official support for Ali's legacy led the songs to be used in new ways in the Chavez period, as Venezuelans actively engaged with them to redefine themselves in relation to the state and to reach new understandings of their place within a changed society. This book is essential reading not only for those interested in popular music and politics, but for all those seeking to better understand how Chavez was able to successfully identify himself so profoundly with the Venezuelan masses, and they with him.
電子資源:
http://dx.doi.org/10.1057/978-1-137-57968-3
Hugo Chavez, Ali Primera and Venezuela[electronic resource] :the politics of music in Latin America /
Marsh, Hazel.
Hugo Chavez, Ali Primera and Venezuela
the politics of music in Latin America /[electronic resource] :by Hazel Marsh. - London :Palgrave Macmillan UK :2016. - ix, 239 p. :ill., digital ;22 cm. - Palgrave studies in the history of subcultures and popular music. - Palgrave studies in the history of subcultures and popular music..
Unlike much of the literature on Venezuela in the Chavez period, this book shifts focus away from 'top down' perspectives to examine how Venezuelan folksinger Ali Primera (1942-1985) became intertwined with Venezuelan politics, both during his lifetime and posthumously. Ali's 'Necessary Songs' offered cultural resources that enabled Chavez to connect with pre-existing patterns of grassroots activism in ways that resonated deeply with the poor and marginalised masses. Official support for Ali's legacy led the songs to be used in new ways in the Chavez period, as Venezuelans actively engaged with them to redefine themselves in relation to the state and to reach new understandings of their place within a changed society. This book is essential reading not only for those interested in popular music and politics, but for all those seeking to better understand how Chavez was able to successfully identify himself so profoundly with the Venezuelan masses, and they with him.
ISBN: 9781137579683
Standard No.: 10.1057/978-1-137-57968-3doiSubjects--Personal Names:
687416
Primera, Ali,
1942-1985--Influence.Subjects--Topical Terms:
687418
Political ballads and songs
--Venezuela.
LC Class. No.: ML3575.V3 / M36 2016
Dewey Class. No.: 782.4215990987
Hugo Chavez, Ali Primera and Venezuela[electronic resource] :the politics of music in Latin America /
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Unlike much of the literature on Venezuela in the Chavez period, this book shifts focus away from 'top down' perspectives to examine how Venezuelan folksinger Ali Primera (1942-1985) became intertwined with Venezuelan politics, both during his lifetime and posthumously. Ali's 'Necessary Songs' offered cultural resources that enabled Chavez to connect with pre-existing patterns of grassroots activism in ways that resonated deeply with the poor and marginalised masses. Official support for Ali's legacy led the songs to be used in new ways in the Chavez period, as Venezuelans actively engaged with them to redefine themselves in relation to the state and to reach new understandings of their place within a changed society. This book is essential reading not only for those interested in popular music and politics, but for all those seeking to better understand how Chavez was able to successfully identify himself so profoundly with the Venezuelan masses, and they with him.
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