All about music[electronic resource]...
Mazzola, Guerino.

 

  • All about music[electronic resource] :the complete ontology: realities, semiotics, communication, and embodiment /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 004
    書名/作者: All about music : the complete ontology: realities, semiotics, communication, and embodiment // by Guerino Mazzola ... [et al.].
    其他作者: Mazzola, Guerino.
    出版者: Cham : : Springer International Publishing :, 2016.
    面頁冊數: xiii, 191 p. : : ill., digital ;; 24 cm.
    Contained By: Springer eBooks
    標題: Application software.
    標題: Artificial intelligence.
    標題: Computer science.
    標題: Computer science - Mathematics.
    標題: Mathematics.
    標題: Music.
    標題: Computer Science.
    標題: Computer Appl. in Arts and Humanities.
    標題: Mathematics in Music.
    標題: Mathematics of Computing.
    標題: Artificial Intelligence (incl. Robotics)
    ISBN: 9783319473345
    ISBN: 9783319473338
    內容註: Introduction -- Physical Reality -- Psychological Reality -- Mental Reality -- Generalities about Signs, Neumes, Periods and Development Sentences -- De Saussure and Peirce, the Semiotic Architecture, Digital vs. Analog Music Encoding -- Riemannian Harmony and The HarmonRubette Software -- De Saussure's Six Dichotomies -- The Babushka Principle in Semiotics: Connotation, Motivation, Metatheory -- The Musical Case of Iterated Imbrication of Semiotic Components -- What Is Art? -- MIDI Code -- Global Music -- Gesture Theory in Music -- Frege's Prison of Functions -- Music Without Scores. Neuroscience and Gestures -- Mathematical Gesture Theory -- Creativity Theory.
    摘要、提要註: This book explains music's comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike.
    電子資源: http://dx.doi.org/10.1007/978-3-319-47334-5
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