大葉大學圖書館 |

Women, collective creation, and devised performance[electronic resource] :the rise of women theatre artists in the twentieth and twenty-first centuries /

紀錄類型:	書目-電子資源 : Monograph/item
杜威分類號:	792.082
書名/作者:	Women, collective creation, and devised performance : the rise of women theatre artists in the twentieth and twenty-first centuries // edited by Kathryn Mederos Syssoyeva, Scott Proudfit.
其他作者:	Syssoyeva, Kathryn Mederos.
出版者:	New York : : Palgrave Macmillan US :, 2016.
面頁冊數:	xx, 348 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
標題:	Women in the theater - 20th century.
標題:	Women in the theater - 21st century.
標題:	Social Sciences.
標題:	Gender Studies.
標題:	Theatre History.
標題:	Performing Arts.
標題:	Film History.
標題:	Theatre and Performance Studies.
標題:	Arts.
ISBN:	9781137550132
ISBN:	9781137603272
內容註:	Part I. First Wave, 1900-1945 -- 1. Raising the Curtain on Suzanne Bing's Life in the Theatre; Jane Baldwin -- 2. From Neva Boyd to Viola Spolin; Scott Proudfit -- 3. A Democratic Legacy; Elizabeth A. Osborne -- 4. Aleksandra Remizova; Andrei Malaev-Babel -- PART II. Second Wave, 1945-1985 -- 5. Mnouchkine & Co.; David Calder -- 6. Ruth Maleczech, JoAnne Akalaitis, and the Mabou Mines Family Aesthetic; Jessica Silsby Brater;- 7. "Hers and His";Siobhan O'Gorman -- 8. From the Center to the Heartland; Anne Fletcher -- 9. Historiographing a Feminist Utopia; Michelle MacArthur -- 10. Monstrous Regiment; Sarah Sigal -- PART III. Third Wave, 1985-2014 -- 11. Judith Malina and the Living Theatre; Cindy Rosenthal -- 12. Bryony Lavery; Karen Morash -- 13. Women, Transmission, and Creative Agency in the Grotowski Diaspora; Virginie Magnat -- 14. The Women of Odin Teatret; Adam Ledger -- 15. Doing What Comes Naturally?; Alex Mermikides and Jackie Smart -- 16. Collective Creation Downtown 2014; Rachel Anderson-Rabern -- 17. Between Africa and America; Nia O. Witherspoon -- 18. Hands like starfish/Feet like moons; Victoria Lewis -- 19. Pussy Riot and Performance as Social Practice; Julia Listengarten.
摘要、提要註:	This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s' France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe's transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central--and women theatremakers revealed as progenitors of these practices.
電子資源:	http://dx.doi.org/10.1057/978-1-137-55013-2

Women, collective creation, and devised performance[electronic resource] :the rise of women theatre artists in the twentieth and twenty-first centuries /
Women, collective creation, and devised performancethe rise of women theatre artists in the twentieth and twenty-first centuries /[electronic resource] :edited by Kathryn Mederos Syssoyeva, Scott Proudfit. - New York :Palgrave Macmillan US :2016. - xx, 348 p. :ill., digital ;24 cm.

Part I. First Wave, 1900-1945 -- 1. Raising the Curtain on Suzanne Bing's Life in the Theatre; Jane Baldwin -- 2. From Neva Boyd to Viola Spolin; Scott Proudfit -- 3. A Democratic Legacy; Elizabeth A. Osborne -- 4. Aleksandra Remizova; Andrei Malaev-Babel -- PART II. Second Wave, 1945-1985 -- 5. Mnouchkine & Co.; David Calder -- 6. Ruth Maleczech, JoAnne Akalaitis, and the Mabou Mines Family Aesthetic; Jessica Silsby Brater;- 7. "Hers and His";Siobhan O'Gorman -- 8. From the Center to the Heartland; Anne Fletcher -- 9. Historiographing a Feminist Utopia; Michelle MacArthur -- 10. Monstrous Regiment; Sarah Sigal -- PART III. Third Wave, 1985-2014 -- 11. Judith Malina and the Living Theatre; Cindy Rosenthal -- 12. Bryony Lavery; Karen Morash -- 13. Women, Transmission, and Creative Agency in the Grotowski Diaspora; Virginie Magnat -- 14. The Women of Odin Teatret; Adam Ledger -- 15. Doing What Comes Naturally?; Alex Mermikides and Jackie Smart -- 16. Collective Creation Downtown 2014; Rachel Anderson-Rabern -- 17. Between Africa and America; Nia O. Witherspoon -- 18. Hands like starfish/Feet like moons; Victoria Lewis -- 19. Pussy Riot and Performance as Social Practice; Julia Listengarten.

This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s' France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe's transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central--and women theatremakers revealed as progenitors of these practices.

ISBN: 9781137550132

Standard No.: 10.1057/978-1-137-55013-2doiSubjects--Topical Terms:

670461
Women in the theater
--20th century.

LC Class. No.: PN1590.W64

Dewey Class. No.: 792.082

Women, collective creation, and devised performance[electronic resource] :the rise of women theatre artists in the twentieth and twenty-first centuries /
LDR:03292nmm a2200289 a 4500 001 465968
003 DE-He213
005 20170214092255.0
006 m d
007 cr nn 008maaau
008 170411s2016 nyu s 0 eng d
020 $a 9781137550132 $q (electronic bk.)
020 $a 9781137603272 $q (paper)
024 7 $a 10.1057/978-1-137-55013-2 $2 doi
035 $a 978-1-137-55013-2
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1590.W64
082 0 4 $a 792.082 $2 23
090 $a PN1590.W64 $b W872 2016
245 0 0 $a Women, collective creation, and devised performance $h [electronic resource] : $b the rise of women theatre artists in the twentieth and twenty-first centuries / $c edited by Kathryn Mederos Syssoyeva, Scott Proudfit.
260 $a New York : $b Palgrave Macmillan US : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a xx, 348 p. : $b ill., digital ; $c 24 cm.
505 0 $a Part I. First Wave, 1900-1945 -- 1. Raising the Curtain on Suzanne Bing's Life in the Theatre; Jane Baldwin -- 2. From Neva Boyd to Viola Spolin; Scott Proudfit -- 3. A Democratic Legacy; Elizabeth A. Osborne -- 4. Aleksandra Remizova; Andrei Malaev-Babel -- PART II. Second Wave, 1945-1985 -- 5. Mnouchkine & Co.; David Calder -- 6. Ruth Maleczech, JoAnne Akalaitis, and the Mabou Mines Family Aesthetic; Jessica Silsby Brater;- 7. "Hers and His";Siobhan O'Gorman -- 8. From the Center to the Heartland; Anne Fletcher -- 9. Historiographing a Feminist Utopia; Michelle MacArthur -- 10. Monstrous Regiment; Sarah Sigal -- PART III. Third Wave, 1985-2014 -- 11. Judith Malina and the Living Theatre; Cindy Rosenthal -- 12. Bryony Lavery; Karen Morash -- 13. Women, Transmission, and Creative Agency in the Grotowski Diaspora; Virginie Magnat -- 14. The Women of Odin Teatret; Adam Ledger -- 15. Doing What Comes Naturally?; Alex Mermikides and Jackie Smart -- 16. Collective Creation Downtown 2014; Rachel Anderson-Rabern -- 17. Between Africa and America; Nia O. Witherspoon -- 18. Hands like starfish/Feet like moons; Victoria Lewis -- 19. Pussy Riot and Performance as Social Practice; Julia Listengarten.
520 $a This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s' France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe's transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central--and women theatremakers revealed as progenitors of these practices.
650 0 $a Women in the theater $y 20th century. $3 670461
650 0 $a Women in the theater $y 21st century. $3 670462
650 1 4 $a Social Sciences. $3 372066
650 2 4 $a Gender Studies. $3 423077
650 2 4 $a Theatre History. $3 655184
650 2 4 $a Performing Arts. $3 464753
650 2 4 $a Film History. $3 647168
650 2 4 $a Theatre and Performance Studies. $3 655183
650 2 4 $a Arts. $3 375010
700 1 $a Syssoyeva, Kathryn Mederos. $3 670459
700 1 $a Proudfit, Scott. $3 670460
710 2 $a SpringerLink (Online service) $3 463450
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-55013-2
950 $a Social Sciences (Springer-41176)