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Irish women writers and the modern s...
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D'hoker, Elke.
Irish women writers and the modern short story[electronic resource] /
紀錄類型:
書目-電子資源 : Monograph/item
杜威分類號:
809
書名/作者:
Irish women writers and the modern short story/ by Elke D'hoker.
作者:
D'hoker, Elke.
出版者:
Cham : : Springer International Publishing :, 2016.
面頁冊數:
x, 231 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Literature.
標題:
Literature, Modern - 20th century.
標題:
Literature, Modern - 21st century.
標題:
British literature.
標題:
British and Irish Literature.
標題:
Contemporary Literature.
標題:
Fiction.
標題:
Twentieth-Century Literature.
ISBN:
9783319302881
ISBN:
9783319302874
內容註:
Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin's Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O'Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Eilis Ni Dhuibhne, Enright and Donoghue -- Bibliography -- Index.
摘要、提要註:
This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O'Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
電子資源:
http://dx.doi.org/10.1007/978-3-319-30288-1
Irish women writers and the modern short story[electronic resource] /
D'hoker, Elke.
Irish women writers and the modern short story
[electronic resource] /by Elke D'hoker. - Cham :Springer International Publishing :2016. - x, 231 p. :ill., digital ;24 cm.
Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin's Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O'Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Eilis Ni Dhuibhne, Enright and Donoghue -- Bibliography -- Index.
This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O'Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
ISBN: 9783319302881
Standard No.: 10.1007/978-3-319-30288-1doiSubjects--Topical Terms:
194750
Literature.
LC Class. No.: PN849.G74 / D46 2016
Dewey Class. No.: 809
Irish women writers and the modern short story[electronic resource] /
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Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin's Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O'Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Eilis Ni Dhuibhne, Enright and Donoghue -- Bibliography -- Index.
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This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O'Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.
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