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Staging science[electronic resource] :scientific performance on street, stage and screen /

纪录类型:	书目-电子资源 : Monograph/item
[NT 15000414] null:	501.4
[NT 47271] Title/Author:	Staging science : scientific performance on street, stage and screen // edited by Martin Willis.
[NT 51406] other author:	Willis, Martin.
出版者:	London : : Palgrave Macmillan UK :, 2016.
面页册数:	xi, 140 p. : : ill., digital ;; 24 cm.
Contained By:	Springer eBooks
标题:	Communication in science.
标题:	Literature.
标题:	Literary History.
标题:	Theatre History.
标题:	Literature and Technology/Media.
标题:	Nineteenth-Century Literature.
标题:	Twentieth-Century Literature.
ISBN:	9781137499943
ISBN:	9781137499936
[NT 15000228] null:	List of illustrations -- Acknowledgements -- Notes on Contributors -- Introduction: Imaginative Mobilities; Martin Willis -- 1. Making the Most Beautiful Experiment: Reconstructing Gassiot's Cascade; Iwan Rhys Morus -- 2. Science in the City: Scientific Display and Urban Performance in Victorian Travel Guides to London; Martin Willis -- 3. Of Hats and Scientific Laughter; Tiffany Watt Smith -- 4. 'You can't make a film about mice just by going out into a meadow and looking at Mice': Staging as Knowledge Production in Natural History Film-making; Jean-Baptiste Gouyon -- 5. 'Unmediated' Science Plays: Seeing What Sticks; Kirsten E. Shepherd-Barr -- Afterword; Bernard Lightman -- Notes -- Bibliography -- Index.
[NT 15000229] null:	This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances. Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work.
电子资源:	http://dx.doi.org/10.1057/978-1-137-49994-3

Staging science[electronic resource] :scientific performance on street, stage and screen /
Staging sciencescientific performance on street, stage and screen /[electronic resource] :edited by Martin Willis. - London :Palgrave Macmillan UK :2016. - xi, 140 p. :ill., digital ;24 cm. - Palgrave studies in literature, science and medicine. - Palgrave studies in literature, science and medicine..

List of illustrations -- Acknowledgements -- Notes on Contributors -- Introduction: Imaginative Mobilities; Martin Willis -- 1. Making the Most Beautiful Experiment: Reconstructing Gassiot's Cascade; Iwan Rhys Morus -- 2. Science in the City: Scientific Display and Urban Performance in Victorian Travel Guides to London; Martin Willis -- 3. Of Hats and Scientific Laughter; Tiffany Watt Smith -- 4. 'You can't make a film about mice just by going out into a meadow and looking at Mice': Staging as Knowledge Production in Natural History Film-making; Jean-Baptiste Gouyon -- 5. 'Unmediated' Science Plays: Seeing What Sticks; Kirsten E. Shepherd-Barr -- Afterword; Bernard Lightman -- Notes -- Bibliography -- Index.

This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances. Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work.

ISBN: 9781137499943

Standard No.: 10.1057/978-1-137-49994-3doiSubjects--Topical Terms:

340691
Communication in science.

LC Class. No.: Q223 / .S73 2016

Dewey Class. No.: 501.4

Staging science[electronic resource] :scientific performance on street, stage and screen /
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245 0 0 $a Staging science $h [electronic resource] : $b scientific performance on street, stage and screen / $c edited by Martin Willis.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Pivot, $c 2016.
300 $a xi, 140 p. : $b ill., digital ; $c 24 cm.
490 1 $a Palgrave studies in literature, science and medicine
505 0 $a List of illustrations -- Acknowledgements -- Notes on Contributors -- Introduction: Imaginative Mobilities; Martin Willis -- 1. Making the Most Beautiful Experiment: Reconstructing Gassiot's Cascade; Iwan Rhys Morus -- 2. Science in the City: Scientific Display and Urban Performance in Victorian Travel Guides to London; Martin Willis -- 3. Of Hats and Scientific Laughter; Tiffany Watt Smith -- 4. 'You can't make a film about mice just by going out into a meadow and looking at Mice': Staging as Knowledge Production in Natural History Film-making; Jean-Baptiste Gouyon -- 5. 'Unmediated' Science Plays: Seeing What Sticks; Kirsten E. Shepherd-Barr -- Afterword; Bernard Lightman -- Notes -- Bibliography -- Index.
520 $a This book considers scientific performances across two centuries, from the early nineteenth century to the present day. Performances include demonstrations of technologies, experiments that look like theatre, theatre that looks like science, tourist representations and natural history film-making. Its key aim is to open debate on how scientific activity, both historical and contemporary, might be understood in the context of performance studies and the imaginative acts required to stage engaging performances. Scientific performances have become increasingly of interest to historians of science, literature and science scholars, and in the field of science studies. As yet, however, no work has sought to examine a range of scientific performances with the aim of interrogating and illuminating the kinds of critical and theoretical practices that might be employed to engage with them. With scientific performance likely to become ever more central to scholarly study in the next few years this volume offer a timely, and early, intervention in the existing debates, and aims, too, to be a touchstone for future work.
650 0 $a Communication in science. $3 340691
650 1 4 $a Literature. $3 194750
650 2 4 $a Literary History. $3 639769
650 2 4 $a Theatre History. $3 655184
650 2 4 $a Literature and Technology/Media. $3 647212
650 2 4 $a Nineteenth-Century Literature. $3 639773
650 2 4 $a Twentieth-Century Literature. $3 639770
700 1 $a Willis, Martin. $3 660319
710 2 $a SpringerLink (Online service) $3 463450
773 0 $t Springer eBooks
830 0 $a Palgrave studies in literature, science and medicine. $3 660320
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-49994-3
950 $a Literature, Cultural and Media Studies (Springer-41173)

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