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Bachelors, manhood, and the novel, 1...
~
Conrad, Joseph, (1857-1924)
Bachelors, manhood, and the novel, 1850-1925 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
813/.409352041
書名/作者:
Bachelors, manhood, and the novel, 1850-1925 // Katherine V. Snyder.
其他題名:
Bachelors, Manhood, & the Novel, 1850–1925
作者:
Snyder, Katherine V.,
面頁冊數:
1 online resource (x, 285 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
American fiction - Male authors
標題:
Bachelors in literature.
標題:
American fiction - History and criticism. - 19th century
標題:
English fiction - History and criticism. - 20th century
標題:
English fiction - Male authors
標題:
Masculinity in literature.
標題:
First person narrative.
標題:
Men in literature.
標題:
English-speaking countries - Encyclopedias. - Intellectual life
ISBN:
9780511485312 (ebook)
摘要、提要註:
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.
電子資源:
http://dx.doi.org/10.1017/CBO9780511485312
Bachelors, manhood, and the novel, 1850-1925 /
Snyder, Katherine V.,
Bachelors, manhood, and the novel, 1850-1925 /
Bachelors, Manhood, & the Novel, 1850–1925Katherine V. Snyder. - 1 online resource (x, 285 pages) :digital, PDF file(s).
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Trouble in paradise: bachelors and bourgeois domesticity --
Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.
ISBN: 9780511485312 (ebook)Subjects--Personal Names:
378167
Conrad, Joseph,
1857-1924--Criticism and interpretation.Subjects--Topical Terms:
645472
American fiction
--Male authorsSubjects--Geographical Terms:
356859
English-speaking countries
--Intellectual life--Encyclopedias.
LC Class. No.: PS374.B34 / S69 1999
Dewey Class. No.: 813/.409352041
Bachelors, manhood, and the novel, 1850-1925 /
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Katherine Snyder's study explores the significance of the bachelor narrator, a prevalent but little-recognised figure in premodernist and modernist fiction by male authors, including Hawthorne, James, Conrad, Ford and Fitzgerald. Snyder demonstrates that bachelors functioned in cultural and literary discourse as threshold figures who, by crossing the shifting, permeable boundaries of bourgeois domesticity, highlighted the limits of conventional masculinity. The very marginality of the figure, Snyder argues, effects a critique of gendered norms of manhood, while the symbolic function of marriage as a means of plot resolution is also made more complex by the presence of the single man. Bachelor figures made, moreover, an ideal narrative device for male authors who themselves occupied vexed cultural positions. By attending to the gendered identities and relations at issue in these narratives, Snyder's study discloses the aesthetic and political underpinnings of the traditional canon of English and American male modernism.
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http://dx.doi.org/10.1017/CBO9780511485312
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