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Eighteenth-century fiction and the law of property /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823.609355
書名/作者:	Eighteenth-century fiction and the law of property // Wolfram Schmidgen.
其他題名:	Eighteenth-Century Fiction & the Law of Property
作者:	Schmidgen, Wolfram,
面頁冊數:	1 online resource (viii, 266 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	English fiction - History and criticism. - 18th century
標題:	Law and literature - History - 18th century.
標題:	Dwellings in literature.
標題:	Landscapes in literature.
標題:	Property in literature.
標題:	Law in literature.
ISBN:	9780511484483 (ebook)
摘要、提要註:	In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description of houses, landscapes, and commodities in eighteenth-century fiction. His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social community, and of political systems. In this way, Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's most incisive theoretical contribution lies in its careful insistence on the unity of the human and the material: in Schmidgen's argument, persons and things are inescapably entangled. This approach produces fresh insights into the relationship between law, literature, and economics.
電子資源:	http://dx.doi.org/10.1017/CBO9780511484483

Eighteenth-century fiction and the law of property /
Schmidgen, Wolfram,

Eighteenth-century fiction and the law of property /Eighteenth-Century Fiction & the Law of PropertyWolfram Schmidgen. - 1 online resource (viii, 266 pages) :digital, PDF file(s).

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Communal form and the transitional culture of the eighteenth-century novel --

In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description of houses, landscapes, and commodities in eighteenth-century fiction. His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social community, and of political systems. In this way, Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's most incisive theoretical contribution lies in its careful insistence on the unity of the human and the material: in Schmidgen's argument, persons and things are inescapably entangled. This approach produces fresh insights into the relationship between law, literature, and economics.

ISBN: 9780511484483 (ebook)Subjects--Topical Terms:

371132
English fiction
--History and criticism.--18th century

LC Class. No.: PR858.L39 / S36 2002

Dewey Class. No.: 823.609355

Eighteenth-century fiction and the law of property /
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505 0 0 $t Communal form and the transitional culture of the eighteenth-century novel -- $t Terra nullius, cannibalism, and the natural law of appropriation in Robinson Crusoe -- $t Henry Fielding and the common law of plenitude -- $t Commodity fetishism in heterogeneous spaces -- $t Ann Radcliffe and the political economy of Gothic space -- $t Scottish law and Waverley's museum of property.
520 $a In Eighteenth-Century Fiction and the Law of Property, Wolfram Schmidgen draws on legal and economic writings to analyse the description of houses, landscapes, and commodities in eighteenth-century fiction. His study argues that such descriptions are important to the British imagination of community. By making visible what it means to own something, they illuminate how competing concepts of property define the boundaries of the individual, of social community, and of political systems. In this way, Schmidgen recovers description as a major feature of eighteenth-century prose, and he makes his case across a wide range of authors, including Daniel Defoe, Henry Fielding, William Blackstone, Adam Smith, and Ann Radcliffe. The book's most incisive theoretical contribution lies in its careful insistence on the unity of the human and the material: in Schmidgen's argument, persons and things are inescapably entangled. This approach produces fresh insights into the relationship between law, literature, and economics.
650 0 $a English fiction $y 18th century $x History and criticism. $3 371132
650 0 $a Law and literature $x History $y 18th century. $3 644981
650 0 $a Dwellings in literature. $3 378764
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650 0 $a Law in literature. $3 371147
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