大葉大學圖書館 |

Romantic poets and the culture of posterity /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	821/.709145
書名/作者:	Romantic poets and the culture of posterity // Andrew Bennett.
其他題名:	Romantic Poets & the Culture of Posterity
作者:	Bennett, Andrew,
面頁冊數:	1 online resource (xiii, 268 pages) : : digital, PDF file(s).
附註:	Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:	English poetry - History and criticism - 19th century
標題:	Romanticism - Great Britain.
標題:	Reader-response criticism.
標題:	Authors and readers.
ISBN:	9780511484100 (ebook)
內容註:	Introduction -- Writing for the future -- The Romantic culture of posterity -- Engendering posterity -- Wordsworth's survival -- Coleridge's conversation -- Keats's prescience -- Shelley's ghosts -- Byron's success -- Afterword.
摘要、提要註:	This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.
電子資源:	http://dx.doi.org/10.1017/CBO9780511484100

Romantic poets and the culture of posterity /
Bennett, Andrew,1960 December 2-

Romantic poets and the culture of posterity /Romantic Poets & the Culture of PosterityAndrew Bennett. - 1 online resource (xiii, 268 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;35. - Cambridge studies in Romanticism ;79..

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

Introduction -- Writing for the future -- The Romantic culture of posterity -- Engendering posterity -- Wordsworth's survival -- Coleridge's conversation -- Keats's prescience -- Shelley's ghosts -- Byron's success -- Afterword.

This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.

ISBN: 9780511484100 (ebook)Subjects--Topical Terms:

473131
English poetry
--History and criticism--19th century

LC Class. No.: PR590 / .B34 1999

Dewey Class. No.: 821/.709145

Romantic poets and the culture of posterity /
LDR:02317nam a22003378i 4500 001 448718
003 UkCbUP
005 20160329150130.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 161201s1999||||enk o ||1 0|eng|d
020 $a 9780511484100 (ebook)
020 $z 9780521641449 (hardback)
020 $z 9780521026895 (paperback)
035 $a CR9780511484100
040 $a UkCbUP $b eng $e rda $c UkCbUP
043 $a e-uk---
050 0 0 $a PR590 $b .B34 1999
082 0 0 $a 821/.709145 $2 21
100 1 $a Bennett, Andrew, $d 1960 December 2- $e author. $3 643678
245 1 0 $a Romantic poets and the culture of posterity / $c Andrew Bennett.
246 3 $a Romantic Poets & the Culture of Posterity
264 1 $a Cambridge : $b Cambridge University Press, $c 1999.
300 $a 1 online resource (xiii, 268 pages) : $b digital, PDF file(s).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a Cambridge studies in Romanticism ; $v 35
500 $a Title from publisher's bibliographic system (viewed on 05 Oct 2015).
505 0 $a Introduction -- Writing for the future -- The Romantic culture of posterity -- Engendering posterity -- Wordsworth's survival -- Coleridge's conversation -- Keats's prescience -- Shelley's ghosts -- Byron's success -- Afterword.
520 $a This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.
650 0 $a English poetry $y 19th century $x History and criticism $x Theory, etc. $3 473131
650 0 $a Romanticism $z Great Britain. $3 370888
650 0 $a Reader-response criticism. $3 371017
650 0 $a Authors and readers. $3 370907
776 0 8 $i Print version: $z 9780521641449
830 0 $a Cambridge studies in Romanticism ; $v 79. $3 416195
856 4 0 $u http://dx.doi.org/10.1017/CBO9780511484100