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Romantic atheism :poetry and freetho...
~
Priestman, Martin, (1949-)
Romantic atheism :poetry and freethought, 1780-1830 /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
821/.709382118
書名/作者:
Romantic atheism : : poetry and freethought, 1780-1830 // Martin Priestman.
作者:
Priestman, Martin,
面頁冊數:
1 online resource (xiii, 307 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English poetry - History and criticism. - 19th century
標題:
Atheism - History - 19th century. - Great Britain
標題:
English poetry - History and criticism. - 18th century
標題:
Atheism - History - 18th century. - Great Britain
標題:
Romanticism - Great Britain.
標題:
Freethinkers - Great Britain.
標題:
Atheism in literature.
ISBN:
9780511484452 (ebook)
摘要、提要註:
Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain from the 1780s onwards. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most intellectually radical periods, establishing the depth of their engagement with such discourses, and in some cases their active participation. Equal attention is given to less canonical writers: such poet-intellectuals as Erasmus Darwin, Sir William Jones, Richard Payne Knight and Anna Laetitia Barbauld, and controversialists including Holbach, Volney, Paine, Priestley, Godwin, Richard Carlile and Eliza Sharples (these last two in particular representing the close links between punishably outspoken atheism and radical working-class politics). Above all, the book conveys the excitement of Romantic atheism, whose dramatic appeals to new developments in politics, science and comparative mythology lend it a protean energy belied by the common and more recent conception of 'loss of faith'.
電子資源:
http://dx.doi.org/10.1017/CBO9780511484452
Romantic atheism :poetry and freethought, 1780-1830 /
Priestman, Martin,1949-
Romantic atheism :
poetry and freethought, 1780-1830 /Martin Priestman. - 1 online resource (xiii, 307 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;37. - Cambridge studies in Romanticism ;79..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
The atheism debate, 1780-1800 --1.
Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain from the 1780s onwards. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most intellectually radical periods, establishing the depth of their engagement with such discourses, and in some cases their active participation. Equal attention is given to less canonical writers: such poet-intellectuals as Erasmus Darwin, Sir William Jones, Richard Payne Knight and Anna Laetitia Barbauld, and controversialists including Holbach, Volney, Paine, Priestley, Godwin, Richard Carlile and Eliza Sharples (these last two in particular representing the close links between punishably outspoken atheism and radical working-class politics). Above all, the book conveys the excitement of Romantic atheism, whose dramatic appeals to new developments in politics, science and comparative mythology lend it a protean energy belied by the common and more recent conception of 'loss of faith'.
ISBN: 9780511484452 (ebook)Subjects--Topical Terms:
371038
English poetry
--History and criticism.--19th century
LC Class. No.: PR590 / .P74 2000
Dewey Class. No.: 821/.709382118
Romantic atheism :poetry and freethought, 1780-1830 /
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Romantic Atheism explores the links between English Romantic poetry and the first burst of outspoken atheism in Britain from the 1780s onwards. Martin Priestman examines the work of Blake, Coleridge, Wordsworth, Shelley, Byron and Keats in their most intellectually radical periods, establishing the depth of their engagement with such discourses, and in some cases their active participation. Equal attention is given to less canonical writers: such poet-intellectuals as Erasmus Darwin, Sir William Jones, Richard Payne Knight and Anna Laetitia Barbauld, and controversialists including Holbach, Volney, Paine, Priestley, Godwin, Richard Carlile and Eliza Sharples (these last two in particular representing the close links between punishably outspoken atheism and radical working-class politics). Above all, the book conveys the excitement of Romantic atheism, whose dramatic appeals to new developments in politics, science and comparative mythology lend it a protean energy belied by the common and more recent conception of 'loss of faith'.
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http://dx.doi.org/10.1017/CBO9780511484452
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