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Romanticism and the rise of the mass...
~
Franta, Andrew,
Romanticism and the rise of the mass public /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
821/.709145
書名/作者:
Romanticism and the rise of the mass public // Andrew Franta.
其他題名:
Romanticism & the Rise of the Mass Public
作者:
Franta, Andrew,
面頁冊數:
1 online resource (viii, 245 pages) : : digital, PDF file(s).
附註:
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
標題:
English poetry - History and criticism. - 19th century
標題:
Romanticism - Great Britain.
標題:
Authors and readers - History - 19th century. - Great Britain
標題:
Books and reading - History - 19th century. - Great Britain
標題:
Authors and publishers - History - 19th century. - Great Britain
標題:
Literature publishing - History - 19th century. - Great Britain
ISBN:
9780511484209 (ebook)
內容註:
Introduction : the regime of publicity -- Public opinion from Burke to Byron -- Wordsworth's audience problem -- Keats and the review aesthetic -- Shelley and the politics of political poetry -- The art of printing and the law of libel -- The right of private judgment.
摘要、提要註:
Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
電子資源:
http://dx.doi.org/10.1017/CBO9780511484209
Romanticism and the rise of the mass public /
Franta, Andrew,
Romanticism and the rise of the mass public /
Romanticism & the Rise of the Mass PublicAndrew Franta. - 1 online resource (viii, 245 pages) :digital, PDF file(s). - Cambridge studies in Romanticism ;68. - Cambridge studies in Romanticism ;79..
Title from publisher's bibliographic system (viewed on 05 Oct 2015).
Introduction : the regime of publicity -- Public opinion from Burke to Byron -- Wordsworth's audience problem -- Keats and the review aesthetic -- Shelley and the politics of political poetry -- The art of printing and the law of libel -- The right of private judgment.
Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
ISBN: 9780511484209 (ebook)Subjects--Topical Terms:
371038
English poetry
--History and criticism.--19th century
LC Class. No.: PR590 / .F73 2007
Dewey Class. No.: 821/.709145
Romanticism and the rise of the mass public /
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Dramatic changes in the reading public and literary market in early nineteenth-century England not only altered the relationship between poet and reader, these changes prompted marked changes in conceptions of the poetic text, literary reception, and authorship. With the decline of patronage, the rise of the novel and the periodical press, and the emergence of the mass reading public, poets could no longer assume the existence of an audience for poetry. Andrew Franta examines how the reconfigurations of the literary market and the publishing context transformed the ways poets conceived of their audience and the forms of poetry itself. Through readings of Wordsworth, Byron, Shelley, Keats, Hemans, and Tennyson, and with close attention to key literary, political, and legal debates, Franta proposes a unique reading of Romanticism and its contribution to modern conceptions of politics and publicity.
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http://dx.doi.org/10.1017/CBO9780511484209
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