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Shakespearean allusion in crime fict...
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Hopkins, Lisa.
Shakespearean allusion in crime fiction[electronic resource] :DCI Shakespeare /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
823.087208352
書名/作者:
Shakespearean allusion in crime fiction : DCI Shakespeare // by Lisa Hopkins.
作者:
Hopkins, Lisa.
出版者:
London : : Palgrave Macmillan UK :, 2016.
面頁冊數:
vii, 204 p. : : ill., digital ;; 24 cm.
Contained By:
Springer eBooks
標題:
Detective and mystery stories, English.
標題:
Detective and mystery stories, American.
標題:
Literature.
標題:
Early Modern/Renaissance Literature.
標題:
Fiction.
標題:
Contemporary Literature.
標題:
British and Irish Literature.
標題:
North American Literature.
標題:
Twentieth-Century Literature.
ISBN:
9781137538758
ISBN:
9781137538741
內容註:
Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
摘要、提要註:
This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four 'queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.
電子資源:
http://dx.doi.org/10.1057/978-1-137-53875-8
Shakespearean allusion in crime fiction[electronic resource] :DCI Shakespeare /
Hopkins, Lisa.
Shakespearean allusion in crime fiction
DCI Shakespeare /[electronic resource] :by Lisa Hopkins. - London :Palgrave Macmillan UK :2016. - vii, 204 p. :ill., digital ;24 cm. - Palgrave Shakespeare studies. - Palgrave Shakespeare studies..
Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four 'queens of crime' (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value.
ISBN: 9781137538758
Standard No.: 10.1057/978-1-137-53875-8doiSubjects--Personal Names:
337664
Shakespeare, William,
1564-1616--Language.Subjects--Topical Terms:
421566
Detective and mystery stories, English.
LC Class. No.: PR1309.D4
Dewey Class. No.: 823.087208352
Shakespearean allusion in crime fiction[electronic resource] :DCI Shakespeare /
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Acknowledgements -- Introduction -- 1. Wild Justice: Mercy, Revenge and the Detective -- 2. Who Owns the Wood? Appropriating A Midsummer Night's Dream -- 3. Border Patrol: Shakespearean Allusions and Social and National Identities -- 4. Stealing Shakespeare: Detective Fiction and Cultural Value -- Conclusion -- Notes -- Bibliography -- Index.
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