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William Corder and the red barn murd...
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McCorristine, Shane.
William Corder and the red barn murder[electronic resource] :journeys of the criminal body /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
364.1523
書名/作者:
William Corder and the red barn murder : journeys of the criminal body // Shane McCorristine.
作者:
McCorristine, Shane.
出版者:
Basingstoke : : Palgrave Pivot,, 2014.
面頁冊數:
128 p. : : 8 b&w, ill.
附註:
Electronic book text.
標題:
Crime & criminology - United Kingdom, Great Britain.
標題:
Crime.
標題:
Social & cultural history - United Kingdom, Great Britain.
標題:
Sociology: death & dying - United Kingdom, Great Britain.
ISBN:
1137439394 (electronic bk.) :
ISBN:
9781137439383
ISBN:
9781137439390 (electronic bk.) :
內容註:
1. The Murder in the Red Barn 2. The Criminal Body Dismembered 3. The Criminal Body Remembered Appendix 1: Crime, Trial, and Dismemberment Appendix 2: Representations and Afterlives.
摘要、提要註:
This study reassesses the criminal body from sentencing to execution and afterlife, using the nineteenth-century Red Barn murder as a case study. Positioned within the burgeoning field of medical humanities, it places culture and power at the centre of debates surrounding criminal justice and public punishment.
電子資源:
Online journal 'available contents' page
William Corder and the red barn murder[electronic resource] :journeys of the criminal body /
McCorristine, Shane.
William Corder and the red barn murder
journeys of the criminal body /[electronic resource] :Shane McCorristine. - 1st ed. - Basingstoke :Palgrave Pivot,2014. - 128 p. :8 b&w, ill.
Electronic book text.
1. The Murder in the Red Barn 2. The Criminal Body Dismembered 3. The Criminal Body Remembered Appendix 1: Crime, Trial, and Dismemberment Appendix 2: Representations and Afterlives.
Document
This study reassesses the criminal body from sentencing to execution and afterlife, using the nineteenth-century Red Barn murder as a case study. Positioned within the burgeoning field of medical humanities, it places culture and power at the centre of debates surrounding criminal justice and public punishment.On 18 May 1827 the Suffolk farmer William Corder killed and buried his lover Maria Martin in the Red Barn at Polstead. The discovery of this murder the following year set off a feeding-frenzy in which Corder became one of the most notorious villains in British history, a celebrity criminal for preachers, ballad singers, anatomists, and generations of theatre managers. The Red Barn was almost destroyed for souvenirs and relics while Corder's corpse was dissected and displayed, galvanized and scalped. This original study maps out the remarkable journey of Corder's body from dismemberment to remembrance. Rather than providing a traditional historical model, the book challenges concepts of death and execution. What does it mean for a criminal to be declared dead? How far were medical authorities and public audiences actors in the theatrical production of criminal justice? What about popular legends and dreams about criminals, about the places they haunt and the sites of their burial or display? In short, what happens to the power of the criminal once he/she has been declared 'dead' and punished? Positioned within the burgeoning field of medical humanities, McCorristine engages with current scholarship that is placing culture and power at the centre of debates surrounding criminal justice and public punishment. Death, it is clear, is not a terminus but a journey.
PDF.
Shane McCorristine is a Wellcome Postdoctoral Fellow at the University of Leicester and a College Lecturer in Geography at the University of Cambridge, UK.
ISBN: 1137439394 (electronic bk.) :£30.00Subjects--Topical Terms:
580653
Crime & criminology
--United Kingdom, Great Britain.
LC Class. No.: HV6535.G6 / P654 2014
Dewey Class. No.: 364.1523
William Corder and the red barn murder[electronic resource] :journeys of the criminal body /
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On 18 May 1827 the Suffolk farmer William Corder killed and buried his lover Maria Martin in the Red Barn at Polstead. The discovery of this murder the following year set off a feeding-frenzy in which Corder became one of the most notorious villains in British history, a celebrity criminal for preachers, ballad singers, anatomists, and generations of theatre managers. The Red Barn was almost destroyed for souvenirs and relics while Corder's corpse was dissected and displayed, galvanized and scalped. This original study maps out the remarkable journey of Corder's body from dismemberment to remembrance. Rather than providing a traditional historical model, the book challenges concepts of death and execution. What does it mean for a criminal to be declared dead? How far were medical authorities and public audiences actors in the theatrical production of criminal justice? What about popular legends and dreams about criminals, about the places they haunt and the sites of their burial or display? In short, what happens to the power of the criminal once he/she has been declared 'dead' and punished? Positioned within the burgeoning field of medical humanities, McCorristine engages with current scholarship that is placing culture and power at the centre of debates surrounding criminal justice and public punishment. Death, it is clear, is not a terminus but a journey.
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