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Patrons, curators, inventors and thieves[electronic resource] :the storytelling contest of the cultural industries in the digital age /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	338.4778
書名/作者:	Patrons, curators, inventors and thieves : the storytelling contest of the cultural industries in the digital age // Jonathan Wheeldon.
作者:	Wheeldon, Jonathan.
出版者:	Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:	280 p.
附註:	Electronic book text.
標題:	Copyright.
標題:	Music trade - History - 21st century.
標題:	Cultural studies.
標題:	Media studies.
標題:	Media, information & communication industries.
標題:	Society.
ISBN:	0230306675 (electronic bk.) :
ISBN:	9780230249431
ISBN:	9780230306677 (electronic bk.) :
內容註:	Introduction PART I: MY VERSION OF EVENTS 1. A Personal Perspective 2. Innovation or Bust - a Short History of Recorded Music PART II: STAKEHOLDER VOICES 3. Value Shift 4. Custodial Tensions 5. Hindsight PART III: A STORYTELLING CONTEST 6. The Analysis of Discourse 7. Strategy as Storytelling 8. Identification of Key Constructs 9. A Narrative World 10. The Inventor's Tale 11. Power and Ideology PART IV: THE PIRATE'S TALE: REFORM OF COPYRIGHT AND THE FUTURE 12. Pirates, Property and Privatization 13. Enclosing the Commons of the Mind 14. The 300 Year War of Copyright 15. My Version of Events: the Future Bibliography Notes.
摘要、提要註:	Jonathan Wheeldon offers a rare and unusually reflective insider account of the transformational challenges of the music industry, and the cultural industries in general, over the past 15 years. He also makes a potentially valuable contribution to loosening the industrial-political deadlock in the debate over copyright reform.
電子資源:	Online journal 'available contents' page

Patrons, curators, inventors and thieves[electronic resource] :the storytelling contest of the cultural industries in the digital age /
Wheeldon, Jonathan.

Patrons, curators, inventors and thievesthe storytelling contest of the cultural industries in the digital age /[electronic resource] :Jonathan Wheeldon. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 280 p.

Electronic book text.

Introduction PART I: MY VERSION OF EVENTS 1. A Personal Perspective 2. Innovation or Bust - a Short History of Recorded Music PART II: STAKEHOLDER VOICES 3. Value Shift 4. Custodial Tensions 5. Hindsight PART III: A STORYTELLING CONTEST 6. The Analysis of Discourse 7. Strategy as Storytelling 8. Identification of Key Constructs 9. A Narrative World 10. The Inventor's Tale 11. Power and Ideology PART IV: THE PIRATE'S TALE: REFORM OF COPYRIGHT AND THE FUTURE 12. Pirates, Property and Privatization 13. Enclosing the Commons of the Mind 14. The 300 Year War of Copyright 15. My Version of Events: the Future Bibliography Notes.

Document

Jonathan Wheeldon offers a rare and unusually reflective insider account of the transformational challenges of the music industry, and the cultural industries in general, over the past 15 years. He also makes a potentially valuable contribution to loosening the industrial-political deadlock in the debate over copyright reform.This book is a rare and unusually reflective insider account of the transformational challenges of the cultural industries over the past 15 years. Opening with a fresh new perspective on music industry history, it explores how the industrial world evolves more by narrative plausibility than by strategic precision, recognizing that corporate identity, purpose and power can be both reinforced and subverted by modifications to various cultural master-plots and their traditional heroes and villains. Of most interest are the insights into the strategic struggles faced by corporate managers and by intellectual property policymakers dealing with the seismic new millennium shifts in technology, communications and related social behaviour. Illustrating how a satisfactory 'postprivate' master-narrative of social equality in the digital age has yet to emerge, the book also helps to loosen the industrial-political deadlock in the debate over copyright reform. It is essential reading for anyone who takes an interest in the changing processes of creation, dissemination and industrialization of knowledge and culture.

PDF.

Jonathan Wheeldon is a Chartered Accountant and Visiting Fellow at Henley Business School. He spent ten years at Universal Music in senior positions in New York, Madrid, Los Angeles and London. He has served as Group Finance Director of Andrew Lloyd Webber's Really Useful Group where he financed the $70 million Oscar-nominated movie The Phantom of the Opera. He was Senior Vice President of Corporate Development at EMI Group leading up to its sale to private equity in 2007, and most recently he has served as Executive Director and Chief Financial Officer of Macmillan Publishers.

ISBN: 0230306675 (electronic bk.) :£60.00Subjects--Topical Terms:

434478
Copyright.

LC Class. No.: ML3790 / .W493 2014

Dewey Class. No.: 338.4778

Patrons, curators, inventors and thieves[electronic resource] :the storytelling contest of the cultural industries in the digital age /
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520 $a Jonathan Wheeldon offers a rare and unusually reflective insider account of the transformational challenges of the music industry, and the cultural industries in general, over the past 15 years. He also makes a potentially valuable contribution to loosening the industrial-political deadlock in the debate over copyright reform. $b This book is a rare and unusually reflective insider account of the transformational challenges of the cultural industries over the past 15 years. Opening with a fresh new perspective on music industry history, it explores how the industrial world evolves more by narrative plausibility than by strategic precision, recognizing that corporate identity, purpose and power can be both reinforced and subverted by modifications to various cultural master-plots and their traditional heroes and villains. Of most interest are the insights into the strategic struggles faced by corporate managers and by intellectual property policymakers dealing with the seismic new millennium shifts in technology, communications and related social behaviour. Illustrating how a satisfactory 'postprivate' master-narrative of social equality in the digital age has yet to emerge, the book also helps to loosen the industrial-political deadlock in the debate over copyright reform. It is essential reading for anyone who takes an interest in the changing processes of creation, dissemination and industrialization of knowledge and culture.
520 1 $a A superb book. This is one of the best analytical accounts by an insider of the cultural industries. Actually no: one of the best analytical accounts by ANYONE of the cultural industries.' - David Hesmondhalgh, Professor of Media and Music Industries, Institute of Communications Studies, University of Leeds 'For anyone on the front line of the on-going debates around copyright this hugely insightful book is an essential guide. It is at once a memoir showing how we got here, an atlas showing us where we are, and a lexicon telling us what our words and discourse really mean.' - Richard Mollet, Chief Executive, the Publishers Association, and former Director of Public Affairs, the BPI 'In this important and beautifully written book, an industry insider brings experience and research to bear on understanding corporations in the age of digitization. Wheeldon's understanding is itself cultural, and his lessons have wide application for how we manage and consume cultural products in future.' - Martin Parker, Professor of Culture and Organization, School of Management, University of Leicester.
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