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Memory and imagination in film[elect...
~
Jarmusch, Jim.
Memory and imagination in film[electronic resource] :Scorsese, Lynch, Jarmusch, Van Sant /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
791.43
書名/作者:
Memory and imagination in film : Scorsese, Lynch, Jarmusch, Van Sant // Patrizia Lombardo.
作者:
Lombardo, Patrizia.
出版者:
Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:
264 p. : : 25 figures.
附註:
Electronic book text.
標題:
Imagination in motion pictures.
標題:
Memory in motion pictures.
標題:
Motion pictures - History and criticism - United States.
標題:
Motion pictures - Production and direction - United States.
標題:
Film theory & criticism.
標題:
Film: styles & genres.
標題:
Individual film directors, film-makers.
標題:
Performing Arts.
ISBN:
1137319437 (electronic bk.) :
ISBN:
9780230241718
ISBN:
9781137319432 (electronic bk.) :
內容註:
List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.
摘要、提要註:
Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.
電子資源:
Online journal 'available contents' page
Memory and imagination in film[electronic resource] :Scorsese, Lynch, Jarmusch, Van Sant /
Lombardo, Patrizia.
Memory and imagination in film
Scorsese, Lynch, Jarmusch, Van Sant /[electronic resource] :Patrizia Lombardo. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 264 p. :25 figures. - Language, discourse, society.
Electronic book text.
List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.
Document
Inspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.Lombardo expands upon the intuitions of Baudelaire, proposing a new understanding of cinephilia as the interplay of the memory and the imagination of both filmmakers and spectators. Films by Scorsese, Lynch, Jarmusch and Van Sant are presented as imaginative uses of the history of cinema, as well as the histories of painting, music, literature and photography. Quotations, allusions, and more complex stylistic devices combine to become conscious or unconscious re-elaborations of works from the past and the present. The question of spectators' participation is discussed at length, alongside detailed analysis that aims to disentangle the various elements within specific film sequences.
PDF.
Patrizia Lombardo has taught at Princeton University and the University of Pittsburgh, USA. She now teaches French, comparative literature and film, and leads the project 'Affective Dynamics and Aesthetic Emotions', at the Swiss Center for Affective Sciences at the University of Geneva, Switzerland. Her publications include The Three Paradoxes of Roland Barthes; Cities, Words and Images: From Poe to Scorsese; (with Rallo Ditche and Fontanille) Dictionnaire des passions litteraires; (with Saetre and Gullestad) Exploring Textual Action; and (with Saetre and Zanetta) Exploring Text and Emotion.
ISBN: 1137319437 (electronic bk.) :£55.00Subjects--Personal Names:
579579
Jarmusch, Jim.
Subjects--Topical Terms:
579583
Imagination in motion pictures.
LC Class. No.: PN1993.5.U6 / L59 2014
Dewey Class. No.: 791.43
Memory and imagination in film[electronic resource] :Scorsese, Lynch, Jarmusch, Van Sant /
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List of Figures Acknowledgments Abbreviations Introduction PART I: THE WONDER OF CINEMA: SCORSESE 1. Living in Manhattan in the 19th Century 2. Memory and Astonishment in Shutter Island 3. Style and Signature in Film 4. Bazin, Bresson and Scorsese: Performatives in Film Intermezzo 5. Jim Jarmusch's Philosophy of Composition PART II: EXPERIMENTING TIME AND SPACE: VAN SANT AND LYNCH 6. Minimalist Aesthetics in Gerry 7. Space and Long Takes in Paranoid Park 8. Lives on film: Gus Van Sant's Milk 9. David Lynch: Painting in Film Filmography Bibliography Notes.
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Patrizia Lombardo has taught at Princeton University and the University of Pittsburgh, USA. She now teaches French, comparative literature and film, and leads the project 'Affective Dynamics and Aesthetic Emotions', at the Swiss Center for Affective Sciences at the University of Geneva, Switzerland. Her publications include The Three Paradoxes of Roland Barthes; Cities, Words and Images: From Poe to Scorsese; (with Rallo Ditche and Fontanille) Dictionnaire des passions litteraires; (with Saetre and Gullestad) Exploring Textual Action; and (with Saetre and Zanetta) Exploring Text and Emotion.
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