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The media of testimony[electronic re...
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Germany (East)
The media of testimony[electronic resource] :remembering the East German Stasi in the Berlin Republic /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
302.23
書名/作者:
The media of testimony : remembering the East German Stasi in the Berlin Republic // Sara Jones.
作者:
Jones, Sara.
出版者:
Basingstoke : : Palgrave Macmillan :, 2014.
面頁冊數:
248 p. : : 3 figures.
附註:
Electronic book text.
標題:
Collective memory - Germany (East).
標題:
Intelligence service - History - 20th century - Germany (East).
標題:
Testimony (Theory of knowledge) - Germany (East).
標題:
Documentary films - East Germany, DDR.
標題:
Marxism & Communism - East Germany, DDR.
標題:
Media studies - East Germany, DDR.
標題:
Media Studies.
標題:
The Cold War - East Germany, DDR.
標題:
Germany (East) - History - 20th century.
ISBN:
1137364041 (electronic bk.) :
ISBN:
9781137364036
ISBN:
9781137364043 (electronic bk.) :
內容註:
Acknowledgements Introduction 1. The Media of Testimony 2. Literary Autobiography and the Stories that Can't be Told 3. Fragmented Auto/Biographies: Testifying with Many Voices 4. The Importance of 'Being There': Memorial Museums and Living the Past in the Present 5. Whose Memory Is It Anyway? Memorial Museums and Modes of Authority 6. Documentary Film: Being Moved by Memory Conclusion Notes Bibliography.
摘要、提要註:
The Media of Testimony explores testimony relating to the Stasi in different cultural forms: autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, it presents a new approach to the study of testimony, memory and mediation.
電子資源:
Online journal 'available contents' page
The media of testimony[electronic resource] :remembering the East German Stasi in the Berlin Republic /
Jones, Sara.
The media of testimony
remembering the East German Stasi in the Berlin Republic /[electronic resource] :Sara Jones. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 248 p. :3 figures. - Palgrave Macmillan memory studies.
Electronic book text.
Acknowledgements Introduction 1. The Media of Testimony 2. Literary Autobiography and the Stories that Can't be Told 3. Fragmented Auto/Biographies: Testifying with Many Voices 4. The Importance of 'Being There': Memorial Museums and Living the Past in the Present 5. Whose Memory Is It Anyway? Memorial Museums and Modes of Authority 6. Documentary Film: Being Moved by Memory Conclusion Notes Bibliography.
Document
The Media of Testimony explores testimony relating to the Stasi in different cultural forms: autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, it presents a new approach to the study of testimony, memory and mediation.In The Media of Testimony, Sara Jones examines the use of eyewitness testimony in different cultural forms. The focus is on memories of the East German State Security Service (Stasi) in autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, Jones develops a distinctive and interdisciplinary approach to testimony, memory and mediation. She considers the processes by which authors, directors and heritage managers seek to generate authority and authenticity for particular versions of contested histories. Contemporary uses of eyewitness testimony in popular history can extend communities of memory to include those with no direct experience of the represented past. However, this may result in a narrowing of history and a disinheritance of particular social groups. The Media of Testimony represents a significant contribution to studies of German cultural memory and to understanding the ways in which memories circulate and become salient in the media-dominated societies of the present.
PDF.
Sara Jones is Research Fellow at the University of Birmingham, UK. Her work focuses on the political, social and cultural processes of remembering state socialism in Germany and Central and Eastern Europe. She is the author of Complicity, Censorship and Criticism: Negotiating Space in the GDR Literary Sphere (2011).
ISBN: 1137364041 (electronic bk.) :£60.00Subjects--Corporate Names:
579563
Germany (East)
--History.Subjects--Topical Terms:
579565
Collective memory
--Germany (East).Subjects--Geographical Terms:
579564
Germany (East)
--History--20th century.
LC Class. No.: HV8210.5.A45 / M5655 2014
Dewey Class. No.: 302.23
The media of testimony[electronic resource] :remembering the East German Stasi in the Berlin Republic /
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Acknowledgements Introduction 1. The Media of Testimony 2. Literary Autobiography and the Stories that Can't be Told 3. Fragmented Auto/Biographies: Testifying with Many Voices 4. The Importance of 'Being There': Memorial Museums and Living the Past in the Present 5. Whose Memory Is It Anyway? Memorial Museums and Modes of Authority 6. Documentary Film: Being Moved by Memory Conclusion Notes Bibliography.
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In The Media of Testimony, Sara Jones examines the use of eyewitness testimony in different cultural forms. The focus is on memories of the East German State Security Service (Stasi) in autobiographical writing, memorial museums and documentary film. Combining theoretical models from diverse disciplines, Jones develops a distinctive and interdisciplinary approach to testimony, memory and mediation. She considers the processes by which authors, directors and heritage managers seek to generate authority and authenticity for particular versions of contested histories. Contemporary uses of eyewitness testimony in popular history can extend communities of memory to include those with no direct experience of the represented past. However, this may result in a narrowing of history and a disinheritance of particular social groups. The Media of Testimony represents a significant contribution to studies of German cultural memory and to understanding the ways in which memories circulate and become salient in the media-dominated societies of the present.
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The Media of Testimony combines original empirical analyses with the very latest memory studies scholarship. It is a fascinating and highly readable discussion of the way first-person narratives are mediated to produce a one-sided account of a still hotly-contested past, and its discussion of what constitutes 'authenticity' has implications extending well beyond its immediate context. An important book for anyone interested in how the past is reconstructed in the present. - Debbie Pinfold, University of Bristol, UK.
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