Adorno and art :aesthetic theory con...
Adorno, Theodor W., (1903-1969.)

 

  • Adorno and art :aesthetic theory contra critical theory /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 701
    書名/作者: Adorno and art : : aesthetic theory contra critical theory // James Hellings.
    作者: Hellings, James,
    面頁冊數: 1 online resource.
    標題: Art and philosophy.
    標題: Art - Philosophy.
    ISBN: 1137315717 (electronic bk.)
    ISBN: 9781137315717 (electronic bk.)
    書目註: Includes bibliographical references and index.
    內容註: Anti-introduction: Paint it Black -- PART I: MESSAGES IN A BOTTLE: AESTHETIC THEORY CONTRA CRITICAL THEORY -- 1. Introduction -- 2. Critical Messages in a Bottle and Restoration -- 3. Excursus I: The Prevalence of a View: Being Uncompromisingly Critical at the Grand Hotel Abyss -- 4. Excursus II: The Prevalence of a View: 'Don't participate:' The Politics of Social Praxis -- 5. Aesthetic Messages in a Bottle and Progress -- 6. Messages in a Bottle as the Work of Art -- PART II: ART ITSELF THINKS: THE POLITICS OF AESTHETIC (MIS-)EDUCATION -- 7. Introduction -- 8. The Politics of Artistic Practice: 'What artist isn't socially engaged?' -- 9. The Politics of Spectatorship: Shocking Spectators -- 10. The Politics of Aesthetic (Mis-)Education -- 11. Contemporary Art Itself Thinking: Making the Invisible Visible? -- Anti-conclusion: The Russian Ending.
    摘要、提要註: If the advancement toward the administered world is nearing completion, if spectacularised societies, industrialised cultures, and reified consciousness have taken control, then, Adorno and Art shows how radical and revolutionary Adorno's aesthetic theory of art's double character remains, and how complex, imaginative and oppositional, forms of art offer, perhaps, the best hope for overcoming damaged life. The caricatures of Adorno, his politics and his aesthetics, are well known errors of judgement - widely repeated both by the academy and by the Left. Adorno's aesthetics has been accused of failing to keep pace with progressive artistic practices and for being socio-politically aloof. Despite the persistence of these caricatures, this book shows how significant images and themes in Adorno's theory remain relevant to the current situation of art, aesthetics and politics. The Adorno on show in this volume was no bourgeois mandarin, no arrogant aesthete, no esoteric mystic, no melancholy pessimist, and no academic expert holed up in the proverbial ivory tower.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9781137315717
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