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British television drama :past, present and future /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	822.02509
書名/作者:	British television drama : : past, present and future // edited by Jonathan Bignell, Stephen Lacey.
其他作者:	Bignell, Jonathan,
面頁冊數:	1 online resource.
附註:	Previous edition: Basingstoke: Palgrave, 2000.
標題:	1900 - 1999
標題:	English drama - History and criticism. - 20th century
標題:	Television plays.
標題:	English drama.
ISBN:	1137327588 (electronic bk.)
ISBN:	9781137327581 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 "Brookside": The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: "Coronation Street" in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of "Persuasion"; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in "The Sarah Jane Adventures"; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving "Waterloo Road" from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam.
摘要、提要註:	"British Television Drama" provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural, economic and audience-centred modes of study. It presents and contests significant strands of critical work in the field, since the essays by TV professionals reveal their strongly-held views about TV (which often conflict productively with the views of fellow contributors) and the academics offer reasoned and more developed arguments that advance understanding. The new edition includes a revised chapter by acclaimed TV producer Tony Garnett reflecting on his work since "Cathy Come Home" in the 1960s, new chapters by Phil Redmond the creator of" Brookside" and "Hollyoaks", and Cameron Roach, Head of Drama Commissioning at Sky TV and former executive producer of "Waterloo Road". New academic analyses include work on "Downton Abbey", "The Sarah Jane Adventures", "Ashes to Ashes", adaptations of "Persuasion", and the changing production methods on "Coronation Street". The book's three sections are framed by new introductory essays by the editors to establish and contextualise the primary concerns and methodologies of each chapter.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137327581

British television drama :past, present and future /
British television drama :past, present and future /edited by Jonathan Bignell, Stephen Lacey. - Second edition. - 1 online resource.

Previous edition: Basingstoke: Palgrave, 2000.

Includes bibliographical references and index.

1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 "Brookside": The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: "Coronation Street" in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of "Persuasion"; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in "The Sarah Jane Adventures"; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving "Waterloo Road" from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam.

"British Television Drama" provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural, economic and audience-centred modes of study. It presents and contests significant strands of critical work in the field, since the essays by TV professionals reveal their strongly-held views about TV (which often conflict productively with the views of fellow contributors) and the academics offer reasoned and more developed arguments that advance understanding. The new edition includes a revised chapter by acclaimed TV producer Tony Garnett reflecting on his work since "Cathy Come Home" in the 1960s, new chapters by Phil Redmond the creator of" Brookside" and "Hollyoaks", and Cameron Roach, Head of Drama Commissioning at Sky TV and former executive producer of "Waterloo Road". New academic analyses include work on "Downton Abbey", "The Sarah Jane Adventures", "Ashes to Ashes", adaptations of "Persuasion", and the changing production methods on "Coronation Street". The book's three sections are framed by new introductory essays by the editors to establish and contextualise the primary concerns and methodologies of each chapter.

ISBN: 1137327588 (electronic bk.)

Source: 667628Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Chronological Terms:

1900 - 1999
Subjects--Topical Terms:

371102
English drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

574393
Criticism, interpretation, etc.

LC Class. No.: PN1992.3.G7

Dewey Class. No.: 822.02509

British television drama :past, present and future /
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505 0 $a 1. Contexts; Tony Garnett -- PART I: INSTITUTIONS AND TECHNOLOGIES -- Editors' Introduction to Part I -- 2. Sydney Newman and the 'Golden Age'; Shaun Sutton -- 3. Television Drama Series: a Producer's View; Irene Shubik -- 4. TV Drama: Then and Now; John McGrath -- 5. Writing Television Drama - Then and Now; Andrew Davies -- 6 "Brookside": The Technology Backstory; Phil Redmond -- 7 Plot Inflation in Greater Weatherfield: "Coronation Street" in the 1990s; Billy Smart -- 8 Persuaded? The Impact of Changing Production Contexts on Three Adaptations of "Persuasion"; Sarah Cardwell -- PART II: FORMATS AND GENRES -- Editors' Introduction to Part II -- 9. 'The Age of Innocence'; Alan Plater -- 10. Playing Shops, Shopping Plays: The Effect of the Internal Market on Television Drama; David Edgar -- 11. 'A Hero Mumsy': Parenting, Power, and Production Changes in "The Sarah Jane Adventures"; Victoria Byard -- 12. Downton Abbey: Reinventing the British Costume Drama; James Chapman -- 13. What Do Actors Do When They Act? John Caughie -- CODA: Timothy West discusses 'Acting on Stage: Acting on Screen', followed by extracts from the discussion after his and John Caughie's presentations. -- PART III: REPRESENTATIONS -- 14. The 1970s: Regional Variations; Barry Hanson -- 15. 'What Truth is there in this Story?': The Dramatisation of Northern Ireland; Edward Braun -- 16. Moving "Waterloo Road" from Rochdale to Greenock: Exploring a Sense of Place in Drama Series; Cameron Roach -- 17. Too Secret for Words: Coded Dissent in Female-authored Wednesday Plays; Madeleine Macmurraugh-Kavanagh -- 18. 'Ah! Our very own Juliet Bravo, or is it Jill Gascoine?' Ashes to Ashes and Representations of Gender; Ben Lamb -- 19. Power Plays: Gender, Genre, and Lynda La Plante; Julia Hallam.
520 $a "British Television Drama" provides resources for critical thinking about key aspects of television drama in Britain since 1960, including institutional, textual, cultural, economic and audience-centred modes of study. It presents and contests significant strands of critical work in the field, since the essays by TV professionals reveal their strongly-held views about TV (which often conflict productively with the views of fellow contributors) and the academics offer reasoned and more developed arguments that advance understanding. The new edition includes a revised chapter by acclaimed TV producer Tony Garnett reflecting on his work since "Cathy Come Home" in the 1960s, new chapters by Phil Redmond the creator of" Brookside" and "Hollyoaks", and Cameron Roach, Head of Drama Commissioning at Sky TV and former executive producer of "Waterloo Road". New academic analyses include work on "Downton Abbey", "The Sarah Jane Adventures", "Ashes to Ashes", adaptations of "Persuasion", and the changing production methods on "Coronation Street". The book's three sections are framed by new introductory essays by the editors to establish and contextualise the primary concerns and methodologies of each chapter.
588 $a Description based on print version record.
648 7 $a 1900 - 1999 $2 fast
650 0 $a English drama $y 20th century $x History and criticism. $3 371102
650 0 $a Television plays. $3 577409
650 7 $a English drama. $3 522769
655 7 $a Criticism, interpretation, etc. $2 fast $3 574393
655 7 $a Electronic books. $2 local $3 336502
700 1 $a Bignell, Jonathan, $e editor. $3 577407
700 1 $a Lacey, Stephen, $d 1952- $e editor. $3 577408
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $t British television drama. $b 2nd edition $z 9781137327567 $w (OCoLC)874930548
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137327581