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Recasting transnationalism through performance :theatre festivals in Cape Verde, Mozambique and Brazil /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	303.48217569
書名/作者:	Recasting transnationalism through performance : : theatre festivals in Cape Verde, Mozambique and Brazil // by Christina S. McMahon.
作者:	McMahon, Christina S.,
面頁冊數:	1 online resource.
標題:	Drama festivals - Social aspects - Brazil.
標題:	Drama festivals - Social aspects - Cabo Verde.
標題:	Drama festivals - Social aspects - Mozambique.
標題:	Drama festivals - Portuguese-speaking countries.
標題:	Group identity in the performing arts.
標題:	Intercultural communication in the performing arts.
標題:	Transnationalism.
標題:	SOCIAL SCIENCE / General
標題:	Africa, Portuguese-speaking - Ethnic relations.
標題:	Portuguese-speaking countries - Civilization
ISBN:	1137006811 (electronic bk.)
ISBN:	9781137006813 (electronic bk.)
內容註:	Introduction: Global Casting Calls: Performing (Trans)National Identity On Festival Circuits -- 1. Mapping Festivals: Cape Verde, Mozambique, and Brazil in the Lusophone World -- 2. Recasting the Colonial Past: History, Imagination, and Fantasy on Festival Stages -- 3. African Women on Festival Circuits: Recasting Labor Roles and Female Sexuality -- 4. Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes -- 5. Toward a Conclusion: Forum Theatre in Festival Venues.
摘要、提要註:	The past two decades have witnessed the emergence of a lively Portuguese-language theatre festival circuit, where Brazilian, Portuguese, and Lusophone African artists come together and jointly negotiate the cultural dynamics of an emerging transnational community grounded in a common language and shared colonial histories. Christina S. McMahon trains a sharp ethnographic eye on African performances staged at these festivals, revealing how festival productions and their aftermath can generate new perspectives on race and gender, colonial trauma, and the economics of cultural globalization. Featuring in-depth analysis of performances and artist interviews from Cape Verde, Angola, Guinea-Bissau, and Mozambique -- countries with vibrant theatre practices and vexed colonial pasts -- the book reveals how international festivals can be valuable platforms for new intercultural dialogues and diplomatic possibilities. "Recasting Transnationalism through Performance" offers a fresh look at the role of theatre in navigating new postcolonial realities.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137006813

Recasting transnationalism through performance :theatre festivals in Cape Verde, Mozambique and Brazil /
McMahon, Christina S.,1976-

Recasting transnationalism through performance :theatre festivals in Cape Verde, Mozambique and Brazil /by Christina S. McMahon. - 1 online resource. - Studies in international performance. - Studies in international performance..

Introduction: Global Casting Calls: Performing (Trans)National Identity On Festival Circuits -- 1. Mapping Festivals: Cape Verde, Mozambique, and Brazil in the Lusophone World -- 2. Recasting the Colonial Past: History, Imagination, and Fantasy on Festival Stages -- 3. African Women on Festival Circuits: Recasting Labor Roles and Female Sexuality -- 4. Adaptation and the (Trans)Nation: Creolized Shakespeare, Intercultural Cervantes -- 5. Toward a Conclusion: Forum Theatre in Festival Venues.

The past two decades have witnessed the emergence of a lively Portuguese-language theatre festival circuit, where Brazilian, Portuguese, and Lusophone African artists come together and jointly negotiate the cultural dynamics of an emerging transnational community grounded in a common language and shared colonial histories. Christina S. McMahon trains a sharp ethnographic eye on African performances staged at these festivals, revealing how festival productions and their aftermath can generate new perspectives on race and gender, colonial trauma, and the economics of cultural globalization. Featuring in-depth analysis of performances and artist interviews from Cape Verde, Angola, Guinea-Bissau, and Mozambique -- countries with vibrant theatre practices and vexed colonial pasts -- the book reveals how international festivals can be valuable platforms for new intercultural dialogues and diplomatic possibilities. "Recasting Transnationalism through Performance" offers a fresh look at the role of theatre in navigating new postcolonial realities.

ISBN: 1137006811 (electronic bk.)

Source: 576583Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

575252
Drama festivals
--Social aspects--Brazil.Subjects--Geographical Terms:

575251
Africa, Portuguese-speaking
--Ethnic relations.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN3156

Dewey Class. No.: 303.48217569

Recasting transnationalism through performance :theatre festivals in Cape Verde, Mozambique and Brazil /
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520 $a The past two decades have witnessed the emergence of a lively Portuguese-language theatre festival circuit, where Brazilian, Portuguese, and Lusophone African artists come together and jointly negotiate the cultural dynamics of an emerging transnational community grounded in a common language and shared colonial histories. Christina S. McMahon trains a sharp ethnographic eye on African performances staged at these festivals, revealing how festival productions and their aftermath can generate new perspectives on race and gender, colonial trauma, and the economics of cultural globalization. Featuring in-depth analysis of performances and artist interviews from Cape Verde, Angola, Guinea-Bissau, and Mozambique -- countries with vibrant theatre practices and vexed colonial pasts -- the book reveals how international festivals can be valuable platforms for new intercultural dialogues and diplomatic possibilities. "Recasting Transnationalism through Performance" offers a fresh look at the role of theatre in navigating new postcolonial realities.
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