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The haptic aesthetic in Samuel Beckett's drama /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	842/.914
書名/作者:	The haptic aesthetic in Samuel Beckett's drama // Trish McTighe.
作者:	McTighe, Trish,
面頁冊數:	1 online resource (196 pages).
標題:	Self in literature.
標題:	Touch in literature.
標題:	Criticism and interpretation.
標題:	DRAMA / Continental European
ISBN:	1137275332 (electronic bk.)
ISBN:	9781137275332 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
摘要、提要註:	In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137275332

The haptic aesthetic in Samuel Beckett's drama /
McTighe, Trish,

The haptic aesthetic in Samuel Beckett's drama /Trish McTighe. - First edition. - 1 online resource (196 pages). - New Interpretations of Beckett in the Twenty-first Century. - New interpretations of Beckett in the twenty-first century..

Includes bibliographical references and index.

Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.

In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.

ISBN: 1137275332 (electronic bk.)

Source: 632230Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

370745
Beckett, Samuel,
1906-1989--Criticism and interpretation.Subjects--Topical Terms:

370962
Self in literature.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR6003.E282 / Z778 2013

Dewey Class. No.: 842/.914

The haptic aesthetic in Samuel Beckett's drama /
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100 1 $a McTighe, Trish, $e author. $3 574570
245 1 4 $a The haptic aesthetic in Samuel Beckett's drama / $c Trish McTighe.
250 $a First edition.
264 1 $a New York : $b Palgrave Macmillan, $c 2013.
300 $a 1 online resource (196 pages).
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
490 1 $a New Interpretations of Beckett in the Twenty-first Century
504 $a Includes bibliographical references and index.
505 0 $a Introduction: Haptics, aesthetics, philosophy -- Eye: failing, myopic, grainy -- Ear: full of relentless echoes -- Mouth: trying to tell it all, failing -- Skin, space, place -- On the one hand ... (the one that writes the body) -- On the other hand ... (the one that refuses to touch) -- Conclusion: Departing bodies, between doubting Thomas and noli me tangere.
520 $a In their sparse and isolated spaces, Samuel Beckett's figures imagine the touch of a lost love or dream of the comfort and care that the hands of a dear one might bring. Applying philosophical writings that feature sensation, particularly touch, Trish McTighe examines how Beckett's later work for stage and screen dramatizes moments of contact between self and self, self and world, and self and other. With implications for how gender and ethics can be approached within Beckett's aesthetic, this study explores the employment of haptic imagery as an alternative to certain dominant codes of visual representation.
588 $a Description based on print version record.
600 1 0 $a Beckett, Samuel, $d 1906-1989 $x Criticism and interpretation. $3 370745
600 1 4 $a Beckett, Samuel $q (Samuel Barclay), $d 1906-1989. $3 574571
600 1 7 $a Beckett, Samuel, $d 1906-1989. $t Proust. $3 379764
650 0 $a Self in literature. $3 370962
650 0 $a Touch in literature. $3 574572
650 7 $a Criticism and interpretation. $3 522161
650 7 $a DRAMA / Continental European $2 bisacsh $3 528409
655 4 $a Electronic books. $2 local $3 336502
776 0 8 $i Print version: $a McTighe, Trish. $t Haptic aesthetic in Samuel Beckett's drama. $b First edition $z 9781137276988 $w (DLC) 2012051315 $w (OCoLC)827256542
830 0 $a New interpretations of Beckett in the twenty-first century. $3 378166
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137275332