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Theodor Adorno and film theory[elect...

Adorno, Theodor W., (1903-1969)

Theodor Adorno and film theory[electronic resource] :the fingerprint of the spirit /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4301
書名/作者:	Theodor Adorno and film theory : the fingerprint of the spirit // Brian Wall.
作者:	Wall, Brian,
出版者:	New York, New York : : Palgrave Macmillan,, 2013.
面頁冊數:	1 online resource.
標題:	Motion pictures - Philosophy.
ISBN:	9781137306142 (electronic bk.)
ISBN:	1137306149 (electronic bk.)
內容註:	Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.
摘要、提要註:	What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes of analysis have come to displace theoretical and philosophical ones. Adorno's scathing critique of the culture industry has been thought to close off any possible rapprochement between his philosophy and film, but through a deployment of some of the key ideas drawn from his aesthetics and philosophy - immanent critique and negative dialectics - Wall traces what "might be" in film more than its "being" as a product.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Theodor Adorno and film theory[electronic resource] :the fingerprint of the spirit /
Wall, Brian,1961-

Theodor Adorno and film theorythe fingerprint of the spirit /[electronic resource] :Brian Wall. - New York, New York :Palgrave Macmillan,2013. - 1 online resource.

Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.

What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes of analysis have come to displace theoretical and philosophical ones. Adorno's scathing critique of the culture industry has been thought to close off any possible rapprochement between his philosophy and film, but through a deployment of some of the key ideas drawn from his aesthetics and philosophy - immanent critique and negative dialectics - Wall traces what "might be" in film more than its "being" as a product.

ISBN: 9781137306142 (electronic bk.)

Source: 654172Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

528135
Adorno, Theodor W.,
1903-1969--Aesthetics.Subjects--Topical Terms:

379679
Motion pictures
--Philosophy.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995 / .W345 2013

Dewey Class. No.: 791.4301

Theodor Adorno and film theory[electronic resource] :the fingerprint of the spirit /
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100 1 $a Wall, Brian, $d 1961- $3 528134
245 1 0 $a Theodor Adorno and film theory $h [electronic resource] : $b the fingerprint of the spirit / $c Brian Wall.
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505 0 $a Introduction: the fingerprint of spirit -- The subject/object of cinema: The Maltese falcon -- "A deeper breath": from body to spirit in Kiss me deadly -- Negative dioretix: Repo man -- "Jackie Treehorn treats objects like women!": two types of fetishism in The big Lebowski.
520 $a What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field today, as historical and cultural modes of analysis have come to displace theoretical and philosophical ones. Adorno's scathing critique of the culture industry has been thought to close off any possible rapprochement between his philosophy and film, but through a deployment of some of the key ideas drawn from his aesthetics and philosophy - immanent critique and negative dialectics - Wall traces what "might be" in film more than its "being" as a product.
588 $a Description based on print version record.
600 1 0 $a Adorno, Theodor W., $d 1903-1969 $x Aesthetics. $3 528135
650 0 $a Motion pictures $x Philosophy. $3 379679
655 7 $a Electronic books. $2 local $3 336502
710 2 $a Palgrave Connect (Online service) $3 370384
776 0 8 $i Print version: $a Wall, Brian, 1961- $t Theodor Adorno and film theory $z 9781137306135 $w (DLC) 2012039428 $w (OCoLC)818292900
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137306142 $z An electronic book accessible through the World Wide Web; click for information
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