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Self-consciousness in modern british fiction[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	823.009/353
書名/作者:	Self-consciousness in modern british fiction/ Brook Miller.
作者:	Miller, Brook.
出版者:	New York : : Palgrave Macmillan,, c2013.
面頁冊數:	1 online resource.
標題:	English fiction - History and criticism.
標題:	Self-consciousness (Awareness) in literature.
標題:	Self in literature.
ISBN:	9781137076656 (electronic bk.)
ISBN:	1137076658 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.
摘要、提要註:	"Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Self-consciousness in modern british fiction[electronic resource] /
Miller, Brook.

Self-consciousness in modern british fiction[electronic resource] /Brook Miller. - New York :Palgrave Macmillan,c2013. - 1 online resource.

Includes bibliographical references and index.

Self-consciousness, embodiment, and the narrativising self -- Embodiment, narrativity, and identification in under western eyes -- Selfhood and the sensorium in A portrait of the artist as a young man -- Removing the serpent's tail from its mouth: DH Lawrence's vision of embodied consciousness -- Narrative identity, embodied consciousness, and the waves -- Scriptive consciousness and embodied empathy in the golden notebook.

"Self-consciousness in Modern British Fiction" examines the emergence of self-consciousness as a central trope in experimental fictions published between 1911 and 1962. Representations of self-consciousness are a lynchpin of these novels' attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness. The study offers new readings of works by Conrad, Joyce, Lawrence, Woolf, and Lessing. Readings of individual novels are informed by early twentieth century British psychology and philosophy, and by contemporary scholarship in embodied cognition and narrative identity. The models of self-consciousness rendered visible by this analysis improve our understanding of modernist technical experiment with stream-of-consciousness and free indirect discourse.

ISBN: 9781137076656 (electronic bk.)

Source: 608714Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

370724
English fiction
--History and criticism.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PR830.S427 / M55 2013

Dewey Class. No.: 823.009/353

Self-consciousness in modern british fiction[electronic resource] /
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650 0 $a Self-consciousness (Awareness) in literature. $3 527961
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