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Media parasites in the early avant-g...
~
Niebisch, Arndt.
Media parasites in the early avant-garde[electronic resource] :on the abuse of technology and communication /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
700/.411
書名/作者:
Media parasites in the early avant-garde : on the abuse of technology and communication // Arndt Niebisch.
作者:
Niebisch, Arndt.
出版者:
New York : : Palgrave Macmillan,, 2012.
面頁冊數:
1 online resource (pages cm.)
標題:
Communication and the arts.
標題:
Technology and the arts.
標題:
Arts - Experimental methods - 20th century.
標題:
SOCIAL SCIENCE / Media Studies.
標題:
PERFORMING ARTS / Film & Video / History & Criticism.
標題:
PERFORMING ARTS / Radio / History & Criticism.
標題:
ART / Performance
標題:
ART / Reference
ISBN:
9781137276865 (electronic bk.)
ISBN:
113727686X (electronic bk.)
ISBN:
1137276851
ISBN:
9781137276858
ISBN:
9781283947213 (MyiLibrary)
ISBN:
1283947218 (MyiLibrary)
內容註:
1. The Press and the Parasites -- 2. Poetic Media Effects -- 3. Parasitic Media -- 4. Parasitic Noise -- 5. Ether Parasites -- Conclusion: Odradek and the Future of the Parasite --.
摘要、提要註:
The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137276865
Media parasites in the early avant-garde[electronic resource] :on the abuse of technology and communication /
Niebisch, Arndt.
Media parasites in the early avant-garde
on the abuse of technology and communication /[electronic resource] :Arndt Niebisch. - New York :Palgrave Macmillan,2012. - 1 online resource (pages cm.)
1. The Press and the Parasites -- 2. Poetic Media Effects -- 3. Parasitic Media -- 4. Parasitic Noise -- 5. Ether Parasites -- Conclusion: Odradek and the Future of the Parasite --.
The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.
ISBN: 9781137276865 (electronic bk.)
Source: 634164Palgrave Macmillanhttp://www.palgraveconnect.com
Nat. Bib. Agency Control No.: 016242980UkSubjects--Topical Terms:
527445
Communication and the arts.
Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: NX180.C65 / N54 2012
Dewey Class. No.: 700/.411
Media parasites in the early avant-garde[electronic resource] :on the abuse of technology and communication /
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The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes.
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"The avant-garde movements of the early twentieth century inhabited the media discourses of their time like parasites, constantly irritating and taking from them. Dadaists ripped images of a mechanically reproduced world out of newspapers and magazines and reassembled them in their collages. Futurists instrumentalized the brevity of telegraph messages for their free word poetics. Artists such as F.T. Marinetti, Raoul Hausmann and Luigi Russolo constantly abused existing media technologies and hijacked public communication. This study traces these subversive tactics from avant-garde poetry to media technological experiments with radio tubes"--
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