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Hollywood's representations of the Sino-Tibetan conflict[electronic resource] :politics, culture, and globalization /

纪录类型:	书目-语言数据,印刷品 : Monograph/item
[NT 15000414] null:	791.43/6585105
[NT 47271] Title/Author:	Hollywood's representations of the Sino-Tibetan conflict : politics, culture, and globalization // Jenny George Daccache and Brandon Valeriano.
作者:	Daccache, Jenny George,
[NT 51406] other author:	Valeriano, Brandon.
出版者:	New York : : Palgrave Macmillan,, 2012.
面页册数:	1 online resource.
标题:	Motion pictures - History. - United States
标题:	ART / Film & Video
标题:	PERFORMING ARTS / Film & Video / Reference
标题:	China - Economic conditions - 2000-
标题:	Tibet Autonomous Region (China) - Foreign public opinion, British.
ISBN:	9781137290489 (electronic bk.)
ISBN:	113729048X (electronic bk.)
[NT 15000227] null:	Includes bibliographical references.
[NT 15000228] null:	1. China and Tibet in Western Eyes -- 2. The Divergence in the Portrayal of China and Tibet by Hollywood: The Yellow Peril versus the Land of Spirituality -- 3. Hollywood and the Sino-Tibetan Conflict -- 4. Political Messages and Cultural Realities: Modern China & Tibet in the Hollywood Image -- 5. Accuracy versus Propaganda in Hollywood Cinema: False Depictions of China, Tibet, and their Protracted Conflict -- 6. The Hollywood Effect and Tibet: A Study of Media Effectiveness and the Current Free Tibet Movement -- 7. The Paradox of Globalization: Hollywood's Ethno-Cultural Context Encounters the Global Marketplace -- Conclusion: Hollywood, China, and Tibet: A Path Forward.
[NT 15000229] null:	In this interdisciplinary study, Jenny George Daccache and Brandon Valeriano analyze Hollywood's shift in its depictions of China and Tibet. 1997 saw the releases of Red Corner, Seven Years in Tibet, and Kundun, all of which were condemned by China. In recent years, however, China and Hollywood have moved toward being allies and collaborators. As Hollywood needs China for its vast potential market, China also needs Hollywood in order to increase its soft power. Using film as a lens through which we can witness global transformations in politics, economy, culture, and communication, the authors dissect Hollywood's engagement with Asia, examine the historical background of relationships between the West, China, and Tibet, and critically evaluate films produced by Hollywood that engage China and the Tibetan region.
电子资源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137290489

Hollywood's representations of the Sino-Tibetan conflict[electronic resource] :politics, culture, and globalization /
Daccache, Jenny George,1966-

Hollywood's representations of the Sino-Tibetan conflictpolitics, culture, and globalization /[electronic resource] :Jenny George Daccache and Brandon Valeriano. - New York :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references.

1. China and Tibet in Western Eyes -- 2. The Divergence in the Portrayal of China and Tibet by Hollywood: The Yellow Peril versus the Land of Spirituality -- 3. Hollywood and the Sino-Tibetan Conflict -- 4. Political Messages and Cultural Realities: Modern China & Tibet in the Hollywood Image -- 5. Accuracy versus Propaganda in Hollywood Cinema: False Depictions of China, Tibet, and their Protracted Conflict -- 6. The Hollywood Effect and Tibet: A Study of Media Effectiveness and the Current Free Tibet Movement -- 7. The Paradox of Globalization: Hollywood's Ethno-Cultural Context Encounters the Global Marketplace -- Conclusion: Hollywood, China, and Tibet: A Path Forward.

In this interdisciplinary study, Jenny George Daccache and Brandon Valeriano analyze Hollywood's shift in its depictions of China and Tibet. 1997 saw the releases of Red Corner, Seven Years in Tibet, and Kundun, all of which were condemned by China. In recent years, however, China and Hollywood have moved toward being allies and collaborators. As Hollywood needs China for its vast potential market, China also needs Hollywood in order to increase its soft power. Using film as a lens through which we can witness global transformations in politics, economy, culture, and communication, the authors dissect Hollywood's engagement with Asia, examine the historical background of relationships between the West, China, and Tibet, and critically evaluate films produced by Hollywood that engage China and the Tibetan region.

ISBN: 9781137290489 (electronic bk.)

Source: 638093Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

378497
Motion pictures
--History.--United StatesSubjects--Geographical Terms:

339157
China
--Economic conditions--2000-Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1995.9.C47 / D33 2012

Dewey Class. No.: 791.43/6585105

Hollywood's representations of the Sino-Tibetan conflict[electronic resource] :politics, culture, and globalization /
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505 0 $a 1. China and Tibet in Western Eyes -- 2. The Divergence in the Portrayal of China and Tibet by Hollywood: The Yellow Peril versus the Land of Spirituality -- 3. Hollywood and the Sino-Tibetan Conflict -- 4. Political Messages and Cultural Realities: Modern China & Tibet in the Hollywood Image -- 5. Accuracy versus Propaganda in Hollywood Cinema: False Depictions of China, Tibet, and their Protracted Conflict -- 6. The Hollywood Effect and Tibet: A Study of Media Effectiveness and the Current Free Tibet Movement -- 7. The Paradox of Globalization: Hollywood's Ethno-Cultural Context Encounters the Global Marketplace -- Conclusion: Hollywood, China, and Tibet: A Path Forward.
520 $a In this interdisciplinary study, Jenny George Daccache and Brandon Valeriano analyze Hollywood's shift in its depictions of China and Tibet. 1997 saw the releases of Red Corner, Seven Years in Tibet, and Kundun, all of which were condemned by China. In recent years, however, China and Hollywood have moved toward being allies and collaborators. As Hollywood needs China for its vast potential market, China also needs Hollywood in order to increase its soft power. Using film as a lens through which we can witness global transformations in politics, economy, culture, and communication, the authors dissect Hollywood's engagement with Asia, examine the historical background of relationships between the West, China, and Tibet, and critically evaluate films produced by Hollywood that engage China and the Tibetan region.
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