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Outrage[electronic resource] :art, controversy, and society /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	701/.03
書名/作者:	Outrage : art, controversy, and society // edited by Richard Howells, Andreea Deciu Ritivoi and Judith Schachter.
其他作者:	Howells, Richard,
出版者:	[Basingstoke] : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
附註:	Includes index.
標題:	Art and society.
標題:	ART / General
ISBN:	9781137283542 (electronic bk.)
ISBN:	1137283548 (electronic bk.)
內容註:	Introduction: A.Ritivoi, R.Howells & J.Schachter -- PART I: MAJOR THEMES, PREMISES, AND POSITIONS -- Controversy, Art, and Power; R.Howells -- A Primal Controversy: On the Destruction and Protection of Art in Western Culture; L.Burgess -- Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New York City Print Journalists; P.Cramer -- PART II: REPRESENTING A CONTESTED PAST -- Pieces from the Past: Contestation around Francoist Monuments in Modern-Day Spain; C.Ruiz -- The Nation's Cathedral: Public Art and Competing Memories in Post-Communist Romania; A.Ritivoi -- Citizenship and Public Art: Chicago's Millennium Park; F.Evans -- PART III: CENSORING AND SUBVERTING: THE ARTS AND POLITICS -- Underexposed: The Controversial Censorship of Photographs of US War Dead; J.Alinder -- Testimony and Theater: The Controversy of Truth Telling in Post-Apartheid South Africa and Post-Conflict Northern Ireland; J.Keating-Miller -- Tracing Controversy in East German Film; S.Brockmann -- PART IV: THE PAST AND THE FUTURE OF ARTS CONTROVERSIES -- Remediating Arts Controversy in the Nineteenth Century; J.Klancher -- 'Giacinto Scelsi c'est moi!'; F.Sciannameo -- Beauty and Danger: The Aestheticization of Information in Contemporary Art; M.Ragona -- PART V: THE FUTURE OF CONTROVERSIES -- Art Fights: The Persistence of Controversy in Modern Aesthetics; M.Chander -- The End of the Modern Art Controversy and the Many Controversies over Art; A.Funk.
摘要、提要註:	"Outrage: Art, Controversy, and Society" explores controversy in the arts, and especially the extent to which such controversies are socially rather than just aesthetically conditioned. It pays special attention to the way these controversies move beyond the world of art and into the public sphere b7 sand often return to reshape the art world itself. It investigates how and why this happens, with particular emphasis on the social dynamics involved, including class, religion, culture, and -above all- power. It argues that only through a deeper understanding of the interaction between these forces and art can we be in a better position to evaluate the controversies that rage around the place of artworks in a public setting. The book's case studies ultimately combine to provide much-needed insight into the range of vested interests that are manifest in 'the arts in society.'.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283542

Outrage[electronic resource] :art, controversy, and society /
Outrageart, controversy, and society /[electronic resource] :edited by Richard Howells, Andreea Deciu Ritivoi and Judith Schachter. - [Basingstoke] :Palgrave Macmillan,2012. - 1 online resource.

Includes index.

Introduction: A.Ritivoi, R.Howells & J.Schachter -- PART I: MAJOR THEMES, PREMISES, AND POSITIONS -- Controversy, Art, and Power; R.Howells -- A Primal Controversy: On the Destruction and Protection of Art in Western Culture; L.Burgess -- Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New York City Print Journalists; P.Cramer -- PART II: REPRESENTING A CONTESTED PAST -- Pieces from the Past: Contestation around Francoist Monuments in Modern-Day Spain; C.Ruiz -- The Nation's Cathedral: Public Art and Competing Memories in Post-Communist Romania; A.Ritivoi -- Citizenship and Public Art: Chicago's Millennium Park; F.Evans -- PART III: CENSORING AND SUBVERTING: THE ARTS AND POLITICS -- Underexposed: The Controversial Censorship of Photographs of US War Dead; J.Alinder -- Testimony and Theater: The Controversy of Truth Telling in Post-Apartheid South Africa and Post-Conflict Northern Ireland; J.Keating-Miller -- Tracing Controversy in East German Film; S.Brockmann -- PART IV: THE PAST AND THE FUTURE OF ARTS CONTROVERSIES -- Remediating Arts Controversy in the Nineteenth Century; J.Klancher -- 'Giacinto Scelsi c'est moi!'; F.Sciannameo -- Beauty and Danger: The Aestheticization of Information in Contemporary Art; M.Ragona -- PART V: THE FUTURE OF CONTROVERSIES -- Art Fights: The Persistence of Controversy in Modern Aesthetics; M.Chander -- The End of the Modern Art Controversy and the Many Controversies over Art; A.Funk.

"Outrage: Art, Controversy, and Society" explores controversy in the arts, and especially the extent to which such controversies are socially rather than just aesthetically conditioned. It pays special attention to the way these controversies move beyond the world of art and into the public sphere b7 sand often return to reshape the art world itself. It investigates how and why this happens, with particular emphasis on the social dynamics involved, including class, religion, culture, and -above all- power. It argues that only through a deeper understanding of the interaction between these forces and art can we be in a better position to evaluate the controversies that rage around the place of artworks in a public setting. The book's case studies ultimately combine to provide much-needed insight into the range of vested interests that are manifest in 'the arts in society.'.

ISBN: 9781137283542 (electronic bk.)

Source: 523849Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

181695
Art and society.
Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: N72.S6 / O98 2012

Dewey Class. No.: 701/.03

Outrage[electronic resource] :art, controversy, and society /
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505 0 $a Introduction: A.Ritivoi, R.Howells & J.Schachter -- PART I: MAJOR THEMES, PREMISES, AND POSITIONS -- Controversy, Art, and Power; R.Howells -- A Primal Controversy: On the Destruction and Protection of Art in Western Culture; L.Burgess -- Recruiting and Nominating Participants for the Brooklyn Museum Controversy: The Contributions of New York City Print Journalists; P.Cramer -- PART II: REPRESENTING A CONTESTED PAST -- Pieces from the Past: Contestation around Francoist Monuments in Modern-Day Spain; C.Ruiz -- The Nation's Cathedral: Public Art and Competing Memories in Post-Communist Romania; A.Ritivoi -- Citizenship and Public Art: Chicago's Millennium Park; F.Evans -- PART III: CENSORING AND SUBVERTING: THE ARTS AND POLITICS -- Underexposed: The Controversial Censorship of Photographs of US War Dead; J.Alinder -- Testimony and Theater: The Controversy of Truth Telling in Post-Apartheid South Africa and Post-Conflict Northern Ireland; J.Keating-Miller -- Tracing Controversy in East German Film; S.Brockmann -- PART IV: THE PAST AND THE FUTURE OF ARTS CONTROVERSIES -- Remediating Arts Controversy in the Nineteenth Century; J.Klancher -- 'Giacinto Scelsi c'est moi!'; F.Sciannameo -- Beauty and Danger: The Aestheticization of Information in Contemporary Art; M.Ragona -- PART V: THE FUTURE OF CONTROVERSIES -- Art Fights: The Persistence of Controversy in Modern Aesthetics; M.Chander -- The End of the Modern Art Controversy and the Many Controversies over Art; A.Funk.
520 $a "Outrage: Art, Controversy, and Society" explores controversy in the arts, and especially the extent to which such controversies are socially rather than just aesthetically conditioned. It pays special attention to the way these controversies move beyond the world of art and into the public sphere b7 sand often return to reshape the art world itself. It investigates how and why this happens, with particular emphasis on the social dynamics involved, including class, religion, culture, and -above all- power. It argues that only through a deeper understanding of the interaction between these forces and art can we be in a better position to evaluate the controversies that rage around the place of artworks in a public setting. The book's case studies ultimately combine to provide much-needed insight into the range of vested interests that are manifest in 'the arts in society.'.
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