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Transnational television drama[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4509
書名/作者:	Transnational television drama/ Elke Weissmann.
作者:	Weissmann, Elke.
出版者:	[Basingstoke] : : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
標題:	Television programs - History. - Great Britain
標題:	Television programs - History. - United States
標題:	PERFORMING ARTS / Television / Reference
ISBN:	9781137283948 (electronic bk.)
ISBN:	1137283947 (electronic bk.)
ISBN:	1283737973
ISBN:	9781283737975
書目註:	Includes bibliographical references and index.
內容註:	American and British Television 1970 to 2010 -- National Specificities and Transnational Success and Failure -- Transnational Aesthetic Influences and Performance -- The Development of a New Genre -- Making Sense of a Transnational Genre: Forensic Science Drama -- International Co-Productions and their National Location -- Transnational Origins and National Quality: 'American Quality Drama'.
摘要、提要註:	A history of American and British television drama, this book charts how the two production systems have moved closer together since the 1970s: both observe each other to drive innovation, and both continuously turn to each other to find new markets and new production partners. Although earlier collaborations exist, this increased transnationalisation of US and UK television drama has intensified since the 1970s as the increased number of channels and new technologies such as the internet and cable and satellite have led to stronger competition. Examining genres as diverse as period drama, the mini-series, the super-soaps of Dallas and Dynasty, crime drama and the recent spout of celebrated British and American quality drama, this book investigates how marketing campaigns within the press continually return these dramas into the realm of the nations they represent.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137283948

Transnational television drama[electronic resource] /
Weissmann, Elke.

Transnational television drama[electronic resource] /Elke Weissmann. - [Basingstoke] :Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

American and British Television 1970 to 2010 -- National Specificities and Transnational Success and Failure -- Transnational Aesthetic Influences and Performance -- The Development of a New Genre -- Making Sense of a Transnational Genre: Forensic Science Drama -- International Co-Productions and their National Location -- Transnational Origins and National Quality: 'American Quality Drama'.

A history of American and British television drama, this book charts how the two production systems have moved closer together since the 1970s: both observe each other to drive innovation, and both continuously turn to each other to find new markets and new production partners. Although earlier collaborations exist, this increased transnationalisation of US and UK television drama has intensified since the 1970s as the increased number of channels and new technologies such as the internet and cable and satellite have led to stronger competition. Examining genres as diverse as period drama, the mini-series, the super-soaps of Dallas and Dynasty, crime drama and the recent spout of celebrated British and American quality drama, this book investigates how marketing campaigns within the press continually return these dramas into the realm of the nations they represent.

ISBN: 9781137283948 (electronic bk.)

Source: 501316Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

526774
Television programs
--History.--Great BritainIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1992.3.G7 / W45 2012

Dewey Class. No.: 791.4509

Transnational television drama[electronic resource] /
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520 $a A history of American and British television drama, this book charts how the two production systems have moved closer together since the 1970s: both observe each other to drive innovation, and both continuously turn to each other to find new markets and new production partners. Although earlier collaborations exist, this increased transnationalisation of US and UK television drama has intensified since the 1970s as the increased number of channels and new technologies such as the internet and cable and satellite have led to stronger competition. Examining genres as diverse as period drama, the mini-series, the super-soaps of Dallas and Dynasty, crime drama and the recent spout of celebrated British and American quality drama, this book investigates how marketing campaigns within the press continually return these dramas into the realm of the nations they represent.
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