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The politics of affect and emotion in contemporary Latin American cinema[electronic resource] :Argentina, Brazil, Cuba, and Mexico /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.43098/09051
書名/作者:	The politics of affect and emotion in contemporary Latin American cinema : Argentina, Brazil, Cuba, and Mexico // Laura Podalsky.
作者:	Podalsky, Laura,
出版者:	New York : : Palgrave Macmillan,, 2011.
面頁冊數:	1 online resource (x, 218 p.)
標題:	Motion pictures - Political aspects - Latin America.
標題:	Motion pictures - Social aspects - Latin America.
標題:	Motion pictures - History - 20th century. - Latin America
標題:	Motion pictures - History - 21st century. - Latin America
標題:	Fine Arts.
標題:	PERFORMING ARTS - Film & Video
ISBN:	9780230120112 (electronic bk.)
ISBN:	0230120113 (electronic bk.)
ISBN:	9780230347403
ISBN:	0230347401
ISBN:	9786613266309
ISBN:	6613266302
書目註:	Includes bibliographical references and index.
內容註:	Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities.
摘要、提要註:	This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.
電子資源:	An electronic book accessible through the World Wide Web; click for information

The politics of affect and emotion in contemporary Latin American cinema[electronic resource] :Argentina, Brazil, Cuba, and Mexico /
Podalsky, Laura,1964-

The politics of affect and emotion in contemporary Latin American cinemaArgentina, Brazil, Cuba, and Mexico /[electronic resource] :Laura Podalsky. - New York :Palgrave Macmillan,2011. - 1 online resource (x, 218 p.)

Includes bibliographical references and index.

Between Neo-realist Sentimentality and Modernist Shock: New Latin American Cinema and Beyond * Thrilling Histories: Questions of Genre and History * Affecting Legacies: Contemporary Structures of Feeling * Alien/Nation: Contemporary Youth in Film * Emotional Investments: Global Networks and Transnational Affective Communities.

This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.

ISBN: 9780230120112 (electronic bk.)

Source: 528062Palgrave Macmillanhttp://www.palgraveconnect.com

Nat. Bib. Agency Control No.: 015757525UkSubjects--Topical Terms:

525890
Motion pictures
--Political aspects--Latin America.

LC Class. No.: PN1993.5.L3 / P63 2011

Dewey Class. No.: 791.43098/09051

The politics of affect and emotion in contemporary Latin American cinema[electronic resource] :Argentina, Brazil, Cuba, and Mexico /
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520 $a This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film.
520 $a "This book explores the role of emotion and affect in recent Latin American cinemas (1990s-2000s) in the context of larger public debates about past traumas and current anxieties. To address this topic, it examines some of the most significant trends in contemporary Latin American filmmaking, including the emergence of the thriller as a preferred genre to address the legacies of the 1960s and 1970s; the rise of "youth" films about globally-connected and disaffected young adults; and the proliferation of transnational productions by "traveling" filmmakers that encourage audiences to feel for "others." The book features close textual analysis of individual films from Argentina, Brazil, Chile, Cuba, and Mexico; as well as commentary on the changing structure of Latin American film industries. It frames those analyses within a discussion of recent critical and theoretical debates about affect, sentimentalism and compassion, particularly as they relate to film"-- $c Provided by publisher.
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