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European cinema and intertextuality[electronic resource] :history, memory and politics /

Record Type:	Language materials, printed : Monograph/item
[NT 15000414]:	791.43094
Title/Author:	European cinema and intertextuality : history, memory and politics // Ewa Mazierska.
Author:	Mazierska, Ewa.
Published:	[Basingstoke] : : Palgrave Macmillan,, 2011.
Description:	304 p.
Subject:	Motion pictures - History. - Europe
Subject:	History in motion pictures.
ISBN:	9780230319547 (electronic bk.)
ISBN:	0230319548 (electronic bk.)
[NT 15000227]:	Includes bibliographical references and index.
[NT 15000228]:	Acknowledgements -- List of Illustrations -- Introduction: Is the Past a Foreign Country? -- The Burden of the Past and the Lightness of the Present: Dealing with Historic Trauma through Film -- Our Hitler: New Representations of Hitler in European Films -- A Clear Dividing Line?: Cinematic Representations of German, Italian and Irish Terrorism -- From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films -- Good-bye Lenin! or Not: Cinematic Representations of the End of Communism -- Twists of Fate: Secret Agents, Communist Collaborators and Secret Files in German, Polish and Czech films.
[NT 15000229]:	European Cinema and Intertextuality offers an original and up-to-date approach to the representation of history through film. It provides an interpretation of a number of feature films representing crucial events and personalities from European history in the twentieth century. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland after the Second World War, European terrorism of the 1970s, and the end of communism. Films discussed include Eloge de l'amour and Passion by Jean-Luc Godard, Ararat by Atom Egoyan, The Baader Meinhof Complex by Uli Edel, Moonlighting by Jerzy Skolimowski, 12:08 East of Bucharest by Corneliu Porumboiu and Kawasaki Rose by Jan Hrebejk.
Online resource:	An electronic book accessible through the World Wide Web; click for information

European cinema and intertextuality[electronic resource] :history, memory and politics /
Mazierska, Ewa.

European cinema and intertextualityhistory, memory and politics /[electronic resource] :Ewa Mazierska. - [Basingstoke] :Palgrave Macmillan,2011. - 304 p.

Includes bibliographical references and index.

Acknowledgements -- List of Illustrations -- Introduction: Is the Past a Foreign Country? -- The Burden of the Past and the Lightness of the Present: Dealing with Historic Trauma through Film -- Our Hitler: New Representations of Hitler in European Films -- A Clear Dividing Line?: Cinematic Representations of German, Italian and Irish Terrorism -- From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films -- Good-bye Lenin! or Not: Cinematic Representations of the End of Communism -- Twists of Fate: Secret Agents, Communist Collaborators and Secret Files in German, Polish and Czech films.

European Cinema and Intertextuality offers an original and up-to-date approach to the representation of history through film. It provides an interpretation of a number of feature films representing crucial events and personalities from European history in the twentieth century. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland after the Second World War, European terrorism of the 1970s, and the end of communism. Films discussed include Eloge de l'amour and Passion by Jean-Luc Godard, Ararat by Atom Egoyan, The Baader Meinhof Complex by Uli Edel, Moonlighting by Jerzy Skolimowski, 12:08 East of Bucharest by Corneliu Porumboiu and Kawasaki Rose by Jan Hrebejk.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2011.

Mode of access: World Wide Web.

ISBN: 9780230319547 (electronic bk.)

Source: 348672Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

341198
Motion pictures
--History.--EuropeIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PN1993.5.E8 / M39 2011

Dewey Class. No.: 791.43094

European cinema and intertextuality[electronic resource] :history, memory and politics /
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505 0 $a Acknowledgements -- List of Illustrations -- Introduction: Is the Past a Foreign Country? -- The Burden of the Past and the Lightness of the Present: Dealing with Historic Trauma through Film -- Our Hitler: New Representations of Hitler in European Films -- A Clear Dividing Line?: Cinematic Representations of German, Italian and Irish Terrorism -- From Socialist Realism to Postmodernism: Polish Martial Law of 1981 in Polish and Foreign Films -- Good-bye Lenin! or Not: Cinematic Representations of the End of Communism -- Twists of Fate: Secret Agents, Communist Collaborators and Secret Files in German, Polish and Czech films.
520 $a European Cinema and Intertextuality offers an original and up-to-date approach to the representation of history through film. It provides an interpretation of a number of feature films representing crucial events and personalities from European history in the twentieth century. This includes the Second World War, Armenian Genocide, anti-Semitic attacks in Poland after the Second World War, European terrorism of the 1970s, and the end of communism. Films discussed include Eloge de l'amour and Passion by Jean-Luc Godard, Ararat by Atom Egoyan, The Baader Meinhof Complex by Uli Edel, Moonlighting by Jerzy Skolimowski, 12:08 East of Bucharest by Corneliu Porumboiu and Kawasaki Rose by Jan Hrebejk.
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