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Urban drama[electronic resource] :the metropolis in contemporary North American plays /

Record Type:	Language materials, printed : Monograph/item
[NT 15000414]:	812/.5409
Title/Author:	Urban drama : the metropolis in contemporary North American plays // J. Chris Westgate.
Author:	Westgate, J. Chris.
Published:	New York : : Palgrave Macmillan,, 2011.
Description:	1 online resource.
Subject:	American drama - History and criticism. - 20th century
Subject:	City and town life in literature.
Subject:	Space and time in literature.
Subject:	Theater - History - 20th century. - United States
Subject:	Literature.
Subject:	PERFORMING ARTS - Theater
Subject:	PERFORMING ARTS - Theater
Subject:	DRAMA - American.
Subject:	SOCIAL SCIENCE - Sociology
ISBN:	9780230119581 (electronic bk.)
ISBN:	0230119581 (electronic bk.)
ISBN:	9780230347489
ISBN:	0230347487
ISBN:	128315899X
ISBN:	9781283158992
[NT 15000227]:	Includes bibliographical references (p. [221]-233) and index.
[NT 15000228]:	Introduction: A Rhetoric of Sociospatial Drama * PART I: ELEMENTS OF URBANISM * Against the Law in this City: Public Space in New York City �City, Bad Place: Architecture & Disorientation in New York City PART II: ITERATIONS OF URBANISM * Livin' in a Paradise: Suburbanism in Los Angeles �Does it Explode?: Ghettoization & Rioting in New York City & Los Angeles �Part of the City: Enclaves & Exiles in Los Angeles.
[NT 15000229]:	Identifying an apprehension about the nature and constitution of urbanism in North American plays, Urban Drama examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century. In plays as different as Tony Kushner's Angels in America, Anna Deavere Smith's Twilight Los Angeles, 1992, and David Henry Hwang's FOB, these concerns became spatialized against the urban environment, suggesting a shift of consciousness toward what critical geography has argued: The social is always spatial. Urban Drama interrogates how this shift informs playwriting in the 1980s and 1990s and inspires new modes of dramatic representation.
Online resource:	An electronic book accessible through the World Wide Web; click for information

Urban drama[electronic resource] :the metropolis in contemporary North American plays /
Westgate, J. Chris.

Urban dramathe metropolis in contemporary North American plays /[electronic resource] :J. Chris Westgate. - New York :Palgrave Macmillan,2011. - 1 online resource.

Includes bibliographical references (p. [221]-233) and index.

Introduction: A Rhetoric of Sociospatial Drama * PART I: ELEMENTS OF URBANISM * Against the Law in this City: Public Space in New York City *�City, Bad Place: Architecture & Disorientation in New York City * PART II: ITERATIONS OF URBANISM * Livin' in a Paradise: Suburbanism in Los Angeles *�Does it Explode?: Ghettoization & Rioting in New York City & Los Angeles *�Part of the City: Enclaves & Exiles in Los Angeles.

Identifying an apprehension about the nature and constitution of urbanism in North American plays, Urban Drama examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century. In plays as different as Tony Kushner's Angels in America, Anna Deavere Smith's Twilight Los Angeles, 1992, and David Henry Hwang's FOB, these concerns became spatialized against the urban environment, suggesting a shift of consciousness toward what critical geography has argued: The social is always spatial. Urban Drama interrogates how this shift informs playwriting in the 1980s and 1990s and inspires new modes of dramatic representation.

ISBN: 9780230119581 (electronic bk.)

Standard No.: 9786613158994

Source: 527033Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

370986
American drama
--History and criticism.--20th centuryIndex Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS352 / .W47 2011

Dewey Class. No.: 812/.5409

Urban drama[electronic resource] :the metropolis in contemporary North American plays /
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505 0 $a Introduction: A Rhetoric of Sociospatial Drama * PART I: ELEMENTS OF URBANISM * Against the Law in this City: Public Space in New York City *�City, Bad Place: Architecture & Disorientation in New York City * PART II: ITERATIONS OF URBANISM * Livin' in a Paradise: Suburbanism in Los Angeles *�Does it Explode?: Ghettoization & Rioting in New York City & Los Angeles *�Part of the City: Enclaves & Exiles in Los Angeles.
505 8 $a Machine generated contents note: -- Introduction: A Rhetoric of Sociospatial Drama * PART I: ELEMENTS OF URBANISM * "Against the Law in this City": Public Space in New York City * -- "City, Bad Place": Architecture & Disorientation in New York City * PART II: ITERATIONS OF URBANISM * "Livin in a Paradise": Suburbanism in Los Angeles * -- "Does it Explode?": Ghettoization & Rioting in New York City & Los Angeles * -- "Part of the City": Enclaves & Exiles in Los Angeles.
520 $a Identifying an apprehension about the nature and constitution of urbanism in North American plays, Urban Drama examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century. In plays as different as Tony Kushner's Angels in America, Anna Deavere Smith's Twilight Los Angeles, 1992, and David Henry Hwang's FOB, these concerns became spatialized against the urban environment, suggesting a shift of consciousness toward what critical geography has argued: The social is always spatial. Urban Drama interrogates how this shift informs playwriting in the 1980s and 1990s and inspires new modes of dramatic representation.
520 $a "Identifying an apprehension about the nature and constitution of urbanism in North American plays, Urban Drama examines how cities like New York City and Los Angeles became focal points for identity politics and social justice at the end of the twentieth century. In plays as different as Tony Kushners Angels in America, Anna Deavere Smiths Twilight Los Angeles, 1992, and David Henry Hwangs FOB, these concerns became spatialized against the urban environment, suggesting a shift of consciousness toward what critical geography has argued: The social is always spatial. Urban Drama interrogates how this shift informs playwriting in the 1980s and 1990s and inspires new modes of dramatic representation"-- $c Provided by publisher.
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