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Fleeting cities[electronic resource]...
~
Clark Conference ((2005 :)
Fleeting cities[electronic resource] :imperial expositions in fin-de-si�ecle Europe /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
杜威分類號:
907.4/4
書名/作者:
Fleeting cities : imperial expositions in fin-de-si�ecle Europe // Alexander C.T. Geppert.
作者:
Geppert, Alexander C. T.,
出版者:
New York, NY : : Palgrave Macmillan,, 2010.
面頁冊數:
1 online resource.
標題:
Exhibitions - History. - Europe
標題:
Exhibitions - Social aspects - Europe
標題:
Civilization, Modern.
標題:
Cities and towns - History - 20th century. - Europe
標題:
(1896)
標題:
(1908.
標題:
(1924.
標題:
(1931)
標題:
(Paris, France)
標題:
20th century.
標題:
Berliner Gewerbe-Ausstellung.
標題:
British Empire Exhibition.
標題:
Cities and towns.
標題:
Civilization.
標題:
Europe.
標題:
Exhibitions.
標題:
Exposition coloniale internationale de Paris.
標題:
Exposition universelle internationale de 1900.
標題:
Franco-British Exhibition.
標題:
History.
標題:
London, England)
標題:
Social aspects.
標題:
Wembley, England)
標題:
Geography.
標題:
Europe - Commerce - To 1500.
ISBN:
9780230281837 (electronic bk.)
ISBN:
0230281834 (electronic bk.)
ISBN:
1282996991
ISBN:
9781282996991
內容註:
Introduction: How to Read an Exposition -- Berlin 1896: Wilhelm II, Georg Simmel, and the Berliner Gewerbeausstellung -- Paris 1900: The Exposition universelle as a Century's Protean Synthesis -- London 1908: Imre Kiralfy and the Franco-British Exhibition -- Wembley 1924: The British Empire Exhibition as a Suburban Metropolis -- Vincennes 1931: The Exposition coloniale as a Transitory Center of Imperial Civilization -- Conclusion: Exhibition Fatigue, or the Rise and Fall of a Mass Medium -- Coda: Pictures at an Exhibition.
摘要、提要註:
Imperial expositions held in fin-de-s�icle London, Paris and Berlin were knots in a world-wide web. Conceptualizing exhibitions as meta-media, Fleeting Cities undertakes a transdisciplinary investigation into how modernity was created and displayed, consumed and disputed within the European metropolis. Focusing on five such expositions - the Berliner Gewerbeausstellung (1896), the fifth Parisian Exposition Universelle (1900), the Franco-British Exhibition in London (1908), the British Empire Exhibition at Wembley (1924/25), and the Exposition Coloniale Internationale in Paris (1931) - this award-winning book examines their specific aims and aspirations, evolving forms and execution, and the public debates they engendered. Who shaped these mega-events, how were exposition venues inscribed into the urban fabric, what legacies did they bequeath? Taken as dense textures stretched over time, these expositions undergo both a close hermeneutic reading and broad spatial analysis. Fleeting Cities weaves extensive empirical research with underlying theoretical concerns, investigating their individual meanings in a new form of transnational network analysis.
電子資源:
An electronic book accessible through the World Wide Web; click for information
Fleeting cities[electronic resource] :imperial expositions in fin-de-si�ecle Europe /
Geppert, Alexander C. T.,1970-
Fleeting cities
imperial expositions in fin-de-si�ecle Europe /[electronic resource] :Alexander C.T. Geppert. - New York, NY :Palgrave Macmillan,2010. - 1 online resource.
Introduction: How to Read an Exposition -- Berlin 1896: Wilhelm II, Georg Simmel, and the Berliner Gewerbeausstellung -- Paris 1900: The Exposition universelle as a Century's Protean Synthesis -- London 1908: Imre Kiralfy and the Franco-British Exhibition -- Wembley 1924: The British Empire Exhibition as a Suburban Metropolis -- Vincennes 1931: The Exposition coloniale as a Transitory Center of Imperial Civilization -- Conclusion: Exhibition Fatigue, or the Rise and Fall of a Mass Medium -- Coda: Pictures at an Exhibition.
Imperial expositions held in fin-de-s�icle London, Paris and Berlin were knots in a world-wide web. Conceptualizing exhibitions as meta-media, Fleeting Cities undertakes a transdisciplinary investigation into how modernity was created and displayed, consumed and disputed within the European metropolis. Focusing on five such expositions - the Berliner Gewerbeausstellung (1896), the fifth Parisian Exposition Universelle (1900), the Franco-British Exhibition in London (1908), the British Empire Exhibition at Wembley (1924/25), and the Exposition Coloniale Internationale in Paris (1931) - this award-winning book examines their specific aims and aspirations, evolving forms and execution, and the public debates they engendered. Who shaped these mega-events, how were exposition venues inscribed into the urban fabric, what legacies did they bequeath? Taken as dense textures stretched over time, these expositions undergo both a close hermeneutic reading and broad spatial analysis. Fleeting Cities weaves extensive empirical research with underlying theoretical concerns, investigating their individual meanings in a new form of transnational network analysis.
ISBN: 9780230281837 (electronic bk.)
Source: 320596Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Meeting Names:
347558
Clark Conference
Sterling and Francine Clark Art Institute)(2005 :Subjects--Topical Terms:
522216
Exhibitions
--History.--EuropeSubjects--Geographical Terms:
340547
Europe
--Commerce--To 1500.Index Terms--Genre/Form:
336502
Electronic books.
LC Class. No.: T395 / .G36 2010
Dewey Class. No.: 907.4/4
Fleeting cities[electronic resource] :imperial expositions in fin-de-si�ecle Europe /
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Imperial expositions held in fin-de-s�icle London, Paris and Berlin were knots in a world-wide web. Conceptualizing exhibitions as meta-media, Fleeting Cities undertakes a transdisciplinary investigation into how modernity was created and displayed, consumed and disputed within the European metropolis. Focusing on five such expositions - the Berliner Gewerbeausstellung (1896), the fifth Parisian Exposition Universelle (1900), the Franco-British Exhibition in London (1908), the British Empire Exhibition at Wembley (1924/25), and the Exposition Coloniale Internationale in Paris (1931) - this award-winning book examines their specific aims and aspirations, evolving forms and execution, and the public debates they engendered. Who shaped these mega-events, how were exposition venues inscribed into the urban fabric, what legacies did they bequeath? Taken as dense textures stretched over time, these expositions undergo both a close hermeneutic reading and broad spatial analysis. Fleeting Cities weaves extensive empirical research with underlying theoretical concerns, investigating their individual meanings in a new form of transnational network analysis.
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