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The Discourse of the City in America...
~
Mouat Croxatto, Cecilia.
The Discourse of the City in American and British Films between the 1930s and 1960s.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
書名/作者:
The Discourse of the City in American and British Films between the 1930s and 1960s.
作者:
Mouat Croxatto, Cecilia.
面頁冊數:
366 p.
附註:
Source: Dissertation Abstracts International, Volume: 73-12(E), Section: A, page: .
Contained By:
Dissertation Abstracts International73-12(E)A.
標題:
Architecture.
標題:
Cinema.
標題:
Urban and Regional Planning.
ISBN:
9781267505866
摘要、提要註:
Traditional forms to research history of architecture have been focused on influential architects, built projects and architectonic movements. On the other hand, scholars who explore films to approach architecture have analyzed set designs, architects who collaborate with the film industry, or specific films, cities or specific architectonic projects that appear in films. This dissertation is focused on discourses of the city and explores (1) dominant discourses that helped to the popularity of certain urban and architectonic solutions, (2) conditions that helped that city's authorities promoted certain urban solutions over others, and (3) how cinema and film genres contributed to these solutions were so popular.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3520950
The Discourse of the City in American and British Films between the 1930s and 1960s.
Mouat Croxatto, Cecilia.
The Discourse of the City in American and British Films between the 1930s and 1960s.
- 366 p.
Source: Dissertation Abstracts International, Volume: 73-12(E), Section: A, page: .
Thesis (Ph.D.)--North Carolina State University, 2012.
Traditional forms to research history of architecture have been focused on influential architects, built projects and architectonic movements. On the other hand, scholars who explore films to approach architecture have analyzed set designs, architects who collaborate with the film industry, or specific films, cities or specific architectonic projects that appear in films. This dissertation is focused on discourses of the city and explores (1) dominant discourses that helped to the popularity of certain urban and architectonic solutions, (2) conditions that helped that city's authorities promoted certain urban solutions over others, and (3) how cinema and film genres contributed to these solutions were so popular.
ISBN: 9781267505866Subjects--Topical Terms:
189426
Architecture.
The Discourse of the City in American and British Films between the 1930s and 1960s.
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366 p.
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Source: Dissertation Abstracts International, Volume: 73-12(E), Section: A, page: .
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Adviser: Haig Khachatoorian.
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Thesis (Ph.D.)--North Carolina State University, 2012.
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Traditional forms to research history of architecture have been focused on influential architects, built projects and architectonic movements. On the other hand, scholars who explore films to approach architecture have analyzed set designs, architects who collaborate with the film industry, or specific films, cities or specific architectonic projects that appear in films. This dissertation is focused on discourses of the city and explores (1) dominant discourses that helped to the popularity of certain urban and architectonic solutions, (2) conditions that helped that city's authorities promoted certain urban solutions over others, and (3) how cinema and film genres contributed to these solutions were so popular.
520
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This interdisciplinary project understands discourses as systems of thought and practices that construct conceptual categories. Discourses work as cultural frameworks within larger systems of power, whereby truth and knowledge are produced. On the other hand, films strongly influence the construction of spatial meanings, and their analysis opens up new approaches to understanding architectonic spaces not only in terms of physical and perceptual features, but also in terms of social constructions.
520
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The objective of this project is to understand how America and Britain have represented and commented upon the city space between the 1930s and 1960s. To achieve this goal, the study analyzes 87 films that belong to diverse genres, in order to illuminate on the one hand, the main urban and architectonic models represented on screen and the discourses associated with these models; and on the other hand, to analyze the relationship between urban discourses and film genres.
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The theoretical framework is based upon the discourse analysis proposed by Michel Foucault and genre theory.
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The final products will be: a framework for future inquiries that combines architectonic and film approaches to understanding how both disciplines interact in the distribution of city's discourses, and the analysis of a body of films according to their spatial models, in order to demonstrate that film genres distribute dominant discourses and function as frames that shape taken-for-granted assumptions of city's spaces.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3520950
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