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The Brush and the Pen :Odilon Redon ...

Gamboni, Dario.

The Brush and the Pen :Odilon Redon and Literature /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	759.4
書名/作者:	The Brush and the Pen : : Odilon Redon and Literature // Dario Gamboni ; translated by Mary Whittall.
作者:	Gamboni, Dario.
出版者:	Chicago : : University of Chicago Press,, 2011.
面頁冊數:	xxi, 401 p. : : ill. ;; 24 cm.
附註:	"Revised and updated from the French edition."
標題:	Illustration of books - Themes, motives. - 19th century - France
標題:	Ut pictura poesis (Aesthetics)
ISBN:	9780226280554 (hbk.) :
ISBN:	0226280551 (hbk.)
書目註:	Includes bibliographical references and index.
內容註:	The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism --

The Brush and the Pen :Odilon Redon and Literature /
Gamboni, Dario.

The Brush and the Pen :Odilon Redon and Literature /Dario Gamboni ; translated by Mary Whittall. - Chicago :University of Chicago Press,2011. - xxi, 401 p. :ill. ;24 cm.

"Revised and updated from the French edition."

Includes bibliographical references and index.

The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism --

ISBN: 9780226280554 (hbk.) :NTD 1,918

LCCN: 2011034930Subjects--Personal Names:

504455
Huysmans, J.-K.
1848-1907.Subjects--Topical Terms:

504456
Illustration of books
--Themes, motives.--France--19th century

LC Class. No.: NC980.5.R43 / G3513 2011

Dewey Class. No.: 759.4

The Brush and the Pen :Odilon Redon and Literature /
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504 $a Includes bibliographical references and index.
505 0 $a The artist and his myth -- The quest for origins and their effacement -- Indecision and artistic vocation -- Art versus determinism -- The painter as poet-philosopher -- The review of the 1868 salon -- The later writings -- The ethical basis of drawing -- Recourse to literary sources -- Entering the artistic field -- A late start, individualism, and marginal status -- Lithography as an expedient -- Astray on the boulevard? : the exhibitions of 1881 and 1882 -- The writers' role -- Introductions -- Redon and the decadents: homologies and affinities -- Criticism and its interests -- J.-K. Huysmans, priority, and primacy -- Writers as artists' agents -- Criticism as transubstantiation -- Portraits of the bourgeois as an artist -- The Edgar Poe of the graphic arts -- A literary public, a literary art? -- The question of illustration -- Translating Poe -- Literary references, titles, captions, and albums -- "On the frontiers of all the arts" -- J.-K. Huysmans and poetic criticism -- An album and its transposition -- J.-K. Huysmans, "the new album by Odilon Redon" -- The homage to Goya campaign and the crystallization of symbolism -- The technique and principles of transposition -- Face of mystery: iconology and communication -- Pre-iconographical analysis -- From Dürer to Pascal: sources, comparisons, and the semantic field -- Face of mystery as self-portrait: an image of the artist and of art -- Face of mystery as a mirror -- Ambiguity, exegesis, and a community of equals oo -- The expanse and the limits of the restricted field -- Internationalism and marginality -- Proselytism and exclusiveness -- The limitations of literary friendships -- Estrangement from Huysmans and the move to the right bank -- Redon's change of direction -- The turning point explained -- The end of artistic isolation -- Illustration as interpretation -- La tentation: avatars of literary associations -- The "renaissance of lithography" -- "Consecration" and ambiguities of symbolism --
505 $a The primacy of admirers and the limits of recognition -- Redon in the arena of criticism -- Avowals, denials, and polemics -- The brush takes up the pen: the late writings -- New views of art, literature, and criticism -- Friends and foes: the pen and the brush -- A posthumous triumph -- Family quarrels -- A fin-de-siècle crisis in artist-writer relations -- The rise of formalism and the complicity of adversaries.
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600 1 0 $a Redon, Odilon, $d 1840-1916 $x Criticism and interpretation. $3 504454
650 0 $a Illustration of books $z France $y 19th century $x Themes, motives. $3 504456
650 0 $a Ut pictura poesis (Aesthetics) $3 504457