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Seeing fictions in film[electronic r...

Wilson, George M.

Seeing fictions in film[electronic resource] :the epistemology of movies /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	791.4'3013
書名/作者:	Seeing fictions in film : the epistemology of movies // George M. Wilson.
作者:	Wilson, George M.
出版者:	Oxford : : Oxford University Press,, 2011.
面頁冊數:	1 online resource (viii, 220 p.) : : ill., ports.
標題:	Motion pictures - Philosophy.
標題:	Motion pictures - Aesthetics.
標題:	Motion picture audiences.
標題:	Narration (Rhetoric)
ISBN:	9780191731440 (ebook) :
ISBN:	0191731447 (ebook) :
書目註:	Includes bibliographical references and index.
摘要、提要註:	What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
電子資源:	http://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001

Seeing fictions in film[electronic resource] :the epistemology of movies /
Wilson, George M.

Seeing fictions in filmthe epistemology of movies /[electronic resource] :George M. Wilson. - Oxford :Oxford University Press,2011. - 1 online resource (viii, 220 p.) :ill., ports.

Includes bibliographical references and index.

What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.

ISBN: 9780191731440 (ebook) :No priceSubjects--Topical Terms:

379679
Motion pictures
--Philosophy.

LC Class. No.: PN1995

Dewey Class. No.: 791.4'3013

Seeing fictions in film[electronic resource] :the epistemology of movies /
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504 $a Includes bibliographical references and index.
520 8 $a What happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
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