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Emerson's transatlantic romanticism[electronic resource] /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
杜威分類號:	814/.3
書名/作者:	Emerson's transatlantic romanticism/ David Greenham.
作者:	Greenham, David,
出版者:	Houndmills, Basingstoke, Hampshire ; : Palgrave Macmillan,, 2012.
面頁冊數:	1 online resource.
標題:	Romanticism - Influence.
標題:	LITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
標題:	LITERARY CRITICISM / American / General.
標題:	LITERARY CRITICISM / General.
ISBN:	9781137265203 (electronic bk.)
ISBN:	1137265205 (electronic bk.)
書目註:	Includes bibliographical references and index.
內容註:	The Book of Nature -- The New Mythus -- The Divine Mind -- The Alembic of Analogy -- The Transcendental Self -- The One and the Many.
摘要、提要註:	Ralph Waldo Emerson was an intellectual magpie, taking ideas from all over the world in his long career. In the 1830s and early 1840s, the era with which this book principally deals, his influence came from Europe. The first half of Emerson's Transatlantic Romanticism provides an original account of Emerson's creative debts to the British and European philosophers and Romantics, including Locke, Reid, the Higher Criticism, Coleridge and Carlyle. Importantly, it firmly locates this intellectual encounter in his New England context, and especially in the epistolary relationship he had with his astonishing aunt, Mary Moody Emerson. In its second half, this book accounts for the way that Emerson's transatlantic thought penetrates his writing, be it that of his letters, his journals, his lectures or his essays, creating a unique Romantic prose style in which idea and word become united in an epistemology of form.
電子資源:	An electronic book accessible through the World Wide Web; click for information

Emerson's transatlantic romanticism[electronic resource] /
Greenham, David,1971-

Emerson's transatlantic romanticism[electronic resource] /David Greenham. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2012. - 1 online resource.

Includes bibliographical references and index.

The Book of Nature -- The New Mythus -- The Divine Mind -- The Alembic of Analogy -- The Transcendental Self -- The One and the Many.

Ralph Waldo Emerson was an intellectual magpie, taking ideas from all over the world in his long career. In the 1830s and early 1840s, the era with which this book principally deals, his influence came from Europe. The first half of Emerson's Transatlantic Romanticism provides an original account of Emerson's creative debts to the British and European philosophers and Romantics, including Locke, Reid, the Higher Criticism, Coleridge and Carlyle. Importantly, it firmly locates this intellectual encounter in his New England context, and especially in the epistolary relationship he had with his astonishing aunt, Mary Moody Emerson. In its second half, this book accounts for the way that Emerson's transatlantic thought penetrates his writing, be it that of his letters, his journals, his lectures or his essays, creating a unique Romantic prose style in which idea and word become united in an epistemology of form.

ISBN: 9781137265203 (electronic bk.)

Standard No.: 9786613900104

Source: 486789Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

374959
Emerson, Ralph Waldo,
1803-1882--Political and social views.Subjects--Topical Terms:

478266
Romanticism
--Influence.Index Terms--Genre/Form:

336502
Electronic books.

LC Class. No.: PS1642.R63 / G74 2012

Dewey Class. No.: 814/.3

Emerson's transatlantic romanticism[electronic resource] /
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505 0 $a The Book of Nature -- The New Mythus -- The Divine Mind -- The Alembic of Analogy -- The Transcendental Self -- The One and the Many.
520 $a Ralph Waldo Emerson was an intellectual magpie, taking ideas from all over the world in his long career. In the 1830s and early 1840s, the era with which this book principally deals, his influence came from Europe. The first half of Emerson's Transatlantic Romanticism provides an original account of Emerson's creative debts to the British and European philosophers and Romantics, including Locke, Reid, the Higher Criticism, Coleridge and Carlyle. Importantly, it firmly locates this intellectual encounter in his New England context, and especially in the epistolary relationship he had with his astonishing aunt, Mary Moody Emerson. In its second half, this book accounts for the way that Emerson's transatlantic thought penetrates his writing, be it that of his letters, his journals, his lectures or his essays, creating a unique Romantic prose style in which idea and word become united in an epistemology of form.
520 $a "This book provides an original account of Emerson's creative debts to the British and European Romantics, including Coleridge and Carlyle, firmly locating them in his New England context. Moreover this book analyses and explains the way that his thought shapes his unique prose style in which idea and word become united in an epistemology of form"-- $c Provided by publisher.
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