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We are the blues: Individual and com...
~
Fry, Robert Webb, II.
We are the blues: Individual and communal performances of the King Biscuit tradition.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
書名/作者:
We are the blues: Individual and communal performances of the King Biscuit tradition.
作者:
Fry, Robert Webb, II.
面頁冊數:
234 p.
附註:
Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 0782.
Contained By:
Dissertation Abstracts International72-03A.
標題:
American Studies.
標題:
Music.
標題:
Recreation.
ISBN:
9781124457048
摘要、提要註:
The rapid decline of regional American identity throughout the twentieth and twenty-first centuries and a subsequently increasing recognition and interest in America's cultural past have resulted in the promotion of small-town America as a tourist destination. Local communities throughout the country exhibit local culture and present their homes as theatrical spaces where tourists are permitted and encouraged to experience the "real" America, believed by many to be disappearing in an increasingly homogeneous society.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3442117
We are the blues: Individual and communal performances of the King Biscuit tradition.
Fry, Robert Webb, II.
We are the blues: Individual and communal performances of the King Biscuit tradition.
- 234 p.
Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 0782.
Thesis (Ph.D.)--The Florida State University, 2010.
The rapid decline of regional American identity throughout the twentieth and twenty-first centuries and a subsequently increasing recognition and interest in America's cultural past have resulted in the promotion of small-town America as a tourist destination. Local communities throughout the country exhibit local culture and present their homes as theatrical spaces where tourists are permitted and encouraged to experience the "real" America, believed by many to be disappearing in an increasingly homogeneous society.
ISBN: 9781124457048Subjects--Topical Terms:
423327
American Studies.
We are the blues: Individual and communal performances of the King Biscuit tradition.
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Source: Dissertation Abstracts International, Volume: 72-03, Section: A, page: 0782.
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Adviser: Frank D. Gunderson.
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In this dissertation, I present an ethnography that explores the formation and continuance of Helena, Arkansas, as a tourist destination and as a music place. I illustrate that Helena's adopted blues identity emerged and has evolved through a history of complex socio-musical interactions between host and guest cultures and between individuals and institutions. More importantly, I explore the larger issue of the blues as a signifier of "tradition," arguing that, for many attendants, the blues serve as a soundtrack while the city serves as a performative space that permits the creation, performance, and remembrance of newly formed social traditions occurring within the festival space and larger musical tradition.
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This dissertation provides insight into the role of the fan, both local and visitor, in the establishment and realization of a music place. Through the theatrics of tourism, both Helena and its connection to the blues tradition is revitalized each October, resulting in a presentation of Helena that meets the desires of both host and guest communities. While the city during the festival is promoted as an "authentic" portrayal of the Delta and the historic blues tradition, I suggest that the personal experiences and newly formed social traditions that occur during the time and space of the festival result in the realization of an authentic tourist and local experience.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3442117
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