Screening the unwatchable[electronic...
Gr�nstad, Asbj�rn.

 

  • Screening the unwatchable[electronic resource] :spaces of negation in post-millennial art cinema /
  • 紀錄類型: 書目-語言資料,印刷品 : Monograph/item
    杜威分類號: 791.4301
    書名/作者: Screening the unwatchable : spaces of negation in post-millennial art cinema // Asbj�rn Gr�nstad.
    作者: Gr�nstad, Asbj�rn.
    出版者: New York : : Palgrave Macmillan,, 2011.
    面頁冊數: 1 online resource.
    標題: Psychic trauma in motion pictures.
    標題: Violence in motion pictures.
    標題: Cruelty in motion pictures.
    標題: Motion pictures - Moral and ethical aspects.
    標題: Motion pictures - Aesthetics.
    標題: Pornographic films - History and criticism.
    標題: PERFORMING ARTS / Film & Video / History & Criticism.
    標題: PERFORMING ARTS / Film & Video / General.
    標題: SOCIAL SCIENCE / Media Studies.
    ISBN: 9780230355859 (electronic bk.)
    ISBN: 0230355854 (electronic bk.)
    書目註: Includes bibliographical references and index.
    內容註: List of Illustrations -- Acknowledgments -- Introduction -- Against Commodification: Unwatchable Cinema and the Question of Ethics -- Entropic Cinema, or: Trouble Every Day -- Bodies, Landscapes and the Tropology of Inertia -- Spaces of Impropriety -- The Metapornographic Imagination -- Be Here to See This: Haneke's Intrusive Images -- Postscript -- Selected Filmography -- Endnotes -- Bibliography -- Index --.
    摘要、提要註: Screening the Unwatchable traces the rise of extreme art cinema across a range of films from Lars von Trier's The Idiots to Michael Haneke's Cac�h. Reviving the debate about the role of negation and aesthetics, the book argues that the recent turn in contemporary art cinema toward transgressive subjects provides a unique opportunity to reframe the concept of spectatorship in ethical terms. A key insight offered is that the gravitation toward previously taboo topics betrays an attempt to portray issues involving the body, sexuality and gender in a more truthful manner. At the same time, these films also seem to push the limits of representation to an unprecedented level, provoking feelings of discomfort and disorientation in the spectator. Asb�jrn G�rnstad� explains why such disturbing experiences may still convey values essential to our shared visual culture.
    電子資源: http://www.palgraveconnect.com/doifinder/10.1057/9780230355859
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