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Making rhetorical scents: An olfacto...
~
Clemson University.
Making rhetorical scents: An olfactory grammar of motives based on Kenneth Burke's pentad.
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
書名/作者:
Making rhetorical scents: An olfactory grammar of motives based on Kenneth Burke's pentad.
作者:
Miller, Janet.
面頁冊數:
110 p.
附註:
Source: Masters Abstracts International, Volume: 48-05, page: 2637.
Contained By:
Masters Abstracts International48-05.
標題:
Language, Linguistics.
標題:
Language, General.
標題:
Language, Rhetoric and Composition.
ISBN:
9781109747539
摘要、提要註:
Scent is inherently persuasive, but the language of scent is largely missing from rhetoric's vocabulary. This is because language cannot express the "truth" of an odor. Identification of odor as substance is dependent on consubstantiality between the author and reader. We instead describe smells using metaphorical language, or by invoking episodic memories and emotional reactions. In this way, scent is dramatistic. In order to consider the possibility of a grammar of scent beyond metaphor, the author develops an olfactory pentad (Sniff, Context, Emanation, Odor Object, and Response) by applying the framework of Kenneth Burke's dramatistic pentad. In this way, scent is exposed as a powerful rhetorical substance separate from human motive, but motivating in and of itself. The author then explores implications for a rhetoric of scent beyond the literate tradition.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1475552
Making rhetorical scents: An olfactory grammar of motives based on Kenneth Burke's pentad.
Miller, Janet.
Making rhetorical scents: An olfactory grammar of motives based on Kenneth Burke's pentad.
- 110 p.
Source: Masters Abstracts International, Volume: 48-05, page: 2637.
Thesis (M.A.)--Clemson University, 2010.
Scent is inherently persuasive, but the language of scent is largely missing from rhetoric's vocabulary. This is because language cannot express the "truth" of an odor. Identification of odor as substance is dependent on consubstantiality between the author and reader. We instead describe smells using metaphorical language, or by invoking episodic memories and emotional reactions. In this way, scent is dramatistic. In order to consider the possibility of a grammar of scent beyond metaphor, the author develops an olfactory pentad (Sniff, Context, Emanation, Odor Object, and Response) by applying the framework of Kenneth Burke's dramatistic pentad. In this way, scent is exposed as a powerful rhetorical substance separate from human motive, but motivating in and of itself. The author then explores implications for a rhetoric of scent beyond the literate tradition.
ISBN: 9781109747539Subjects--Topical Terms:
423211
Language, Linguistics.
Making rhetorical scents: An olfactory grammar of motives based on Kenneth Burke's pentad.
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Scent is inherently persuasive, but the language of scent is largely missing from rhetoric's vocabulary. This is because language cannot express the "truth" of an odor. Identification of odor as substance is dependent on consubstantiality between the author and reader. We instead describe smells using metaphorical language, or by invoking episodic memories and emotional reactions. In this way, scent is dramatistic. In order to consider the possibility of a grammar of scent beyond metaphor, the author develops an olfactory pentad (Sniff, Context, Emanation, Odor Object, and Response) by applying the framework of Kenneth Burke's dramatistic pentad. In this way, scent is exposed as a powerful rhetorical substance separate from human motive, but motivating in and of itself. The author then explores implications for a rhetoric of scent beyond the literate tradition.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1475552
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